Cousin Phillis | Page 7

Elizabeth Gaskell
think I want to know them.'
'What did you ask all those questions for, then?' said he, looking quickly up at me. He had no notion of doing or saying things without a purpose. I did not answer, so he continued,--'Make up your mind, and go off and see what this farmer-minister is like, and come back and tell me--I should like to hear.'
I was so in the habit of yielding to his authority, or influence, that I never thought of resisting, but went on my errand, though I remember feeling as if I would rather have had my head cut off. The landlord, who had evidently taken an interest in the event of our discussion in a way that country landlords have, accompanied me to the house-door, and gave me repeated directions, as if I was likely to miss my way in two hundred yards. But I listened to him, for I was glad of the delay, to screw up my courage for the effort of facing unknown people and introducing myself. I went along the lane, I recollect, switching at all the taller roadside weeds, till, after a turn or two, I found myself close in front of the Hope Farm. There was a garden between the house and the shady, grassy lane; I afterwards found that this garden was called the court; perhaps because there was a low wall round it, with an iron railing on the top of the wall, and two great gates between pillars crowned with stone balls for a state entrance to the flagged path leading up to the front door. It was not the habit of the place to go in either by these great gates or by the front door; the gates, indeed, were locked, as I found, though the door stood wide open. I had to go round by a side-path lightly worn on a broad grassy way, which led past the court-wall, past a horse-mount, half covered with stone-crop and the little wild yellow fumitory, to another door--'the curate', as I found it was termed by the master of the house, while the front door, 'handsome and all for show', was termed the 'rector'. I knocked with my hand upon the 'curate' door; a tall girl, about my own age, as I thought, came and opened it, and stood there silent, waiting to know my errand. I see her now--cousin Phillis. The westering sun shone full upon her, and made a slanting stream of light into the room within. She was dressed in dark blue cotton of some kind; up to her throat, down to her wrists, with a little frill of the same wherever it touched her white skin. And such a white skin as it was! I have never seen the like. She had light hair, nearer yellow than any other colour. She looked me steadily in the face with large, quiet eyes, wondering, but untroubled by the sight of a stranger. I thought it odd that so old, so full-grown as she was, she should wear a pinafore over her gown.
Before I had quite made up my mind what to say in reply to her mute inquiry of what I wanted there, a woman's voice called out, 'Who is it, Phillis? If it is any one for butter-milk send them round to the back door.'
I thought I could rather speak to the owner of that voice than to the girl before me; so I passed her, and stood at the entrance of a room hat in hand, for this side-door opened straight into the hall or house-place where the family sate when work was done. There was a brisk little woman of forty or so ironing some huge muslin cravats under the light of a long vine-shaded casement window. She looked at me distrustfully till I began to speak. 'My name is Paul Manning,' said I; but I saw she did not know the name. 'My mother's name was Moneypenny,' said I,--'Margaret Moneypenny.'
'And she married one John Manning, of Birmingham,' said Mrs Holman, eagerly.
'And you'll be her son. Sit down! I am right glad to see you. To think of your being Margaret's son! Why, she was almost a child not so long ago. Well, to be sure, it is five-and-twenty years ago. And what brings you into these parts?'
She sate down herself, as if oppressed by her curiosity as to all the five-and-twenty years that had passed by since she had seen my mother. Her daughter Phillis took up her knitting--a long grey worsted man's stocking, I remember--and knitted away without looking at her work. I felt that the steady gaze of those deep grey eyes was upon me, though once, when I stealthily raised mine to hers, she was examining something on the wall above
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