Count Alarcos

Count Alarcos

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Title: Count Alarcos A Tragedy
Author: Benjamin Disraeli
Release Date: February, 2005 [EBook #7487] [Yes, we are more than
one year ahead of schedule] [This file was first posted on May 9, 2003]
Edition: 10

Language: English
Character set encoding: ASCII
*** START OF THE PROJECT GUTENBERG EBOOK COUNT
ALARCOS ***

Produced and Indexed by K. Kay Shearin

COUNT ALARCOS: A TRAGEDY
by Benjamin Disraeli
As there is no historical authority for the events of the celebrated
Ballad on which this Tragedy is founded, I have fixed upon the
thirteenth century for the period of their occurrence. At that time the
kingdom of Castille had recently obtained that supremacy in Spain
which led, in a subsequent age, to the political integrity of the country.
Burgos, its capital, was a magnificent city; and then also arose that
masterpiece of Christian architecture, its famous Cathedral.
This state of comparative refinement and civilisation permitted the
introduction of more complicated motives than the rude manners of the
Ballad would have authorised; while the picturesque features of the
Castillian middle ages still flourished in full force; the factions of a
powerful nobility, renowned for their turbulence, strong passions,
enormous crimes, profound superstition.
[Delta]
London: May, 1839
DRAMATIS PERSONAE
THE KING OF CASTILLE. COUNT ALARCOS, a Prince of the
Blood. COUNT OF SIDONIA. COUNT OF LEON. PRIOR OF
BURGOS. ORAN, a Moor. FERDINAND, a PAGE. GUZMAN JACA,
a BRAVO. GRAUS, the Keeper of a Posada. ______
SOLISA, Infanta of Castille, only child of the King. FLORIMONDE,
Countess Alarcos. FLIX, a Hostess. ______
Courtiers, Pages, Chamberlains, Bravos, and Priests. ______
Time -- the 13th Century. Scene -- Burgos, the capital of Castille, and
its vicinity.

ACT I
SCENE 1
A Street in Burgos; the Cathedral in the distance.
[Enter Two Courtiers.]
I:1:1 1ST COURT. The Prince of Hungary dismissed?
I:1:2 2ND COURT. Indeed So runs the rumour.
I:1:3 1ST COURT. Why the spousal note Still floats upon the air!
I:1:4 2ND COURT. Myself this morn Beheld the Infanta's entrance, as
she threw, Proud as some hitless barb, her haughty glance On our
assembled chiefs.
I:1:5 1ST COURT. The Prince was there?
I:1:6 2ND COURT. Most royally; nor seemed a man more fit To claim
a kingdom for a dower. He looked Our Gadian Hercules, as the
advancing peers Their homage paid. I followed in the train Of Count
Alarcos, with whose ancient house My fortunes long have mingled.
I:1:7 1ST COURT. 'Tis the same, But just returned?
I:1:8 2ND COURT. Long banished from the Court; And only favoured
since the Queen's decease, His ancient foe.
I:1:9 1ST COURT. A very potent Lord?
I:1:10 2ND COURT. Near to the throne; too near perchance for peace.
You're young at Burgos, or indeed 'twere vain To sing Alarcos' praise,
the brightest knight That ever waved a lance in Old Castille.
I:1:11 1ST COURT. You followed in his train?
I:1:12 2ND COURT. And as we passed, Alarcos bowing to the lowest
earth, The Infanta swooned; and pale as yon niched saint, From off the
throned step, her seat of place, Fell in a wild and senseless agony.
I:1:13 1ST COURT. Sancta Maria! and the King --
I:1:14 2ND COURT. Uprose And bore her from her maidens, then
broke up The hurried Court; indeed I know no more, For like a turning
tide the crowd pressed on, And scarcely could I gain the grateful air.
Yet on the Prado's walk came smiling by The Bishop of Ossuna; as he
passed He clutched my cloak, and whispered in my ear, 'The match is
off.'
[Enter PAGE.]
I:1:15 1ST COURT. Hush! hush! a passenger.
I:1:16 PAGE. Most noble Cavaliers, I pray, inform me Where the great
Count Alarcos holds his quarter.

I:1:17 2ND COURT. In the chief square. His banner tells the roof;
Your pleasure with the Count, my gentle youth?
I:1:18