Copyright Basics | Page 4

US Copyright Office
Publication
+ Notice of Copyright + Form of Notice for Visually Perceptible
Copies + Form of Notice for Phonorecords of Sound Recordings +
Position of Notice + Publications Incorporating U.S. Government

Works + Unpublished Works + Omission of Notice and Errors in
Notice + How Long Copyright Protection Endures + Transfer of
Copyright + Termination of Transfers + International Copyright
Protection + Copyright Registration + Registration Procedures +
Original Registration + Special Deposit Requirements + Unpublished
Collections + Effective Date of Registration + Corrections and
Amplifications of Existing Registrations + Mandatory Deposit for
Works Published in the United States + Use of Mandatory Deposit to
Satisfy Registration Requirements + Who May File an Application
Form? + Application Forms + Fill-in Forms + Fees + Search of
Copyright Office Records + For Further Information
------------------------------------------------------------------------
WHAT IS COPYRIGHT?
Copyright is a form of protection provided by the laws of the United
States (title 17, U.S. Code) to the authors of "original works of
authorship", including literary, dramatic, musical, artistic, and certain
other intellectual works. This protection is available to both published
and unpublished works. Section 106 of the 1976 Copyright Act
generally gives the owner of copyright the exclusive right to do and to
authorize others to do the following:
+ *To reproduce* the work in copies or phonorecords;
+ To prepare *derivative works* based upon the work;
+ *To distribute copies or phonorecords* of the work to the public by
sale or other transfer of ownership, or by rental, lease, or lending;
+ To perform the work publicly, in the case of literary, musical,
dramatic, and choreographic works, pantomimes, and motion pictures
and other audiovisual works;
+ *To display the copyrighted work publicly*, in the case of literary,
musical, dramatic, and choreographic works, pantomimes, and pictorial,
graphic, or sculptural works, including the individual images of a
motion picture or other audiovisual work; and
+ In the case of *sound recordings, to perform the work publicly* by
means of a *digital audio transmission*.
In addition, certain authors of works of visual art have the rights of
attribution and integrity as described in Title 17, Chap 1, Section 106a
(Circular 92) of the 1976 Copyright Act. For further information,
request "Copyright Registration for Works of the Visual Arts"

[http://www.loc.gov/copyright/circs/circ40.pdf].
It is illegal for anyone to violate any of the rights provided by the
copyright law to the owner of copyright. These rights, however, are not
unlimited in scope. Title 17, Chap 1 of the 1976 Copyright Act
establish limitations on these rights. In some cases, these limitations are
specified exemptions from copyright liability. One major limitation is
the doctrine of "fair use", which is given a statutory basis in Title 17,
Chap1, Section 107 of the 1976 Copyright Act. In other instances, the
limitation takes the form of a "compulsory license" under which certain
limited uses of copyrighted works are permitted upon payment of
specified royalties and compliance with statutory conditions. For
further information about the limitations of any of these rights, consult
the copyright law or write to the Copyright Office.
------------------------------------------------------------------------ WHO
CAN CLAIM COPYRIGHT
Copyright protection subsists from the time the work is created in fixed
form. The copyright in the work of authorship *immediately* becomes
the property of the author who created the work. Only the author or
those deriving their rights through the author can rightfully claim
copyright.
In the case of works made for hire, the employer and not the employee
is considered to be the author. Title 17, Chap 1, Sec. 101 of the
copyright law defines a "work made for hire" as:
+ (1) a work prepared by an employee within the scope of his or her
employment; or
+ (2) a work specially ordered or commissioned for use as: + a
contribution to a collective work + a part of a motion picture or other
audiovisual work + a translation + a supplementary work + a
compilation + an instructional text + a test + answer material for a test
+ a sound recording + an atlas
if the parties expressly agree in a written instrument signed by them
that the work shall be considered a work made for hire....
The authors of a joint work are co-owners of the copyright in the work,
unless there is an agreement to the contrary.
Copyright in each separate contribution to a periodical or other
collective work is distinct from copyright in the collective work as a
whole and vests initially with the author of the contribution.

Two General Principles
+ Mere ownership of a book, manuscript, painting, or any other copy or
phonorecord does not give the possessor the copyright. The law
provides that transfer of ownership of any material object that
embodies a protected work does not of itself convey any rights in the
copyright.
+ Minors
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