Copy-Cat Other Stories | Page 3

Mary Wilkins Freeman
clearly readable, and does *not* contain characters other than those intended by the author of the work, although tilde (~), asterisk (*) and underline (_) characters may be used to convey punctuation intended by the author, and additional characters may be used to indicate hypertext links; OR
[*] The etext may be readily converted by the reader at no expense into plain ASCII, EBCDIC or equivalent form by the program that displays the etext (as is the case, for instance, with most word processors); OR
[*] You provide, or agree to also provide on request at no additional cost, fee or expense, a copy of the etext in its original plain ASCII form (or in EBCDIC or other equivalent proprietary form).
[2] Honor the etext refund and replacement provisions of this "Small Print!" statement.
[3] Pay a trademark license fee to the Project of 20% of the net profits you derive calculated using the method you already use to calculate your applicable taxes. If you don't derive profits, no royalty is due. Royalties are payable to "Project Gutenberg Association/Carnegie-Mellon University" within the 60 days following each date you prepare (or were legally required to prepare) your annual (or equivalent periodic) tax return.
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
The Project gratefully accepts contributions in money, time, scanning machines, OCR software, public domain etexts, royalty free copyright licenses, and every other sort of contribution you can think of. Money should be paid to "Project Gutenberg Association / Carnegie-Mellon University".
*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*

This etext was prepared by Judy Boss, Omaha, NE

The COPY-CAT & Other Stories
BY MARY E. WILKINS FREEMAN

CONTENTS
PAGE
I. THE COPY-CAT . . . . . . . . . . . . 1
II. THE COCK OF THE WALK . . . . . . . . . 33
III. JOHNNY-IN-THE-WOODS . . . . . . . . . 55
IV. DANIEL AND LITTLE DAN'L . . . . . . . . 83
V. BIG SISTER SOLLY . . . . . . . . . . 107
VI. LITTLE LUCY ROSE . . . . . . . . . . 137
VII. NOBLESSE . . . . . . . . . . . . . 163
VIII. CORONATION . . . . . . . . . . . . 183
IX. THE AMETHYST COMB . . . . . . . . . . 211
X. THE UMBRELLA MAN . . . . . . . . . . 237
XI. THE BALKING OF CHRISTOPHER . . . . . . . 267
XII. DEAR ANNIE . . . . . . . . . . . . 293

THE COPY-CAT

THE COPY-CAT
THAT affair of Jim Simmons's cats never became known. Two little boys and a little girl can keep a secret -- that is, sometimes. The two little boys had the advantage of the little girl because they could talk over the affair together, and the little girl, Lily Jennings, had no intimate girl friend to tempt her to confidence. She had only little Amelia Wheeler, commonly called by the pupils of Madame's school "The Copy-Cat."
Amelia was an odd little girl -- that is, everybody called her odd. She was that rather unusual crea- ture, a child with a definite ideal; and that ideal was Lily Jennings. However, nobody knew that. If Amelia's mother, who was a woman of strong charac- ter, had suspected, she would have taken strenuous measures to prevent such a peculiar state of affairs; the more so because she herself did not in the least approve of Lily Jennings. Mrs. Diantha Wheeler (Amelia's father had died when she was a baby) often remarked to her own mother, Mrs. Stark, and to her mother-in-law, Mrs. Samuel Wheeler, that she did not feel that Mrs. Jennings was bringing up Lily exactly as she should. "That child thinks entirely too much of her looks," said Mrs. Diantha. "When she walks past here she switches those ridiculous frilled frocks of hers as if she were entering a ball- room, and she tosses her head and looks about to see if anybody is watching her. If I were to see Amelia doing such things I should be very firm with her."
"Lily Jennings is a very pretty child," said Mother-in-law Wheeler, with an under-meaning, and Mrs. Diantha flushed. Amelia did not in the least resemble the Wheelers, who were a handsome set. She looked remarkably like her mother, who was a plain woman, only little Amelia did not have a square chin. Her chin was pretty and round, with a little dimple in it. In fact, Amelia's chin was the pretti- est feature she had. Her hair was phenomenally straight. It would not even yield to hot curling- irons, which her grandmother Wheeler had tried sur- reptitiously several times when there was a little girls'
Continue reading on your phone by scaning this QR Code

 / 105
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.