Contributions to All The Year Round | Page 7

whether any virtue had gone out of him in that committal to paper. Meditative was Nightingale as to what would come of young Nightingale's growing up to the acquisition of that art. Suspended was the interest of Nightingale, when his name was done--as if he thought the letters were only sown, to come up presently in some other form. Prodigious, and wrong-handed was the cross made by Nightingale on much encouragement--the strokes directed from him instead of towards him; and most patient and sweet-humoured was the smile of Nightingale as he stepped back into a general laugh.
"Order!" cried the little man. Immediately disappearing into his mug.
"Ralph Mangel, Roger Wurzel, Edward Vetches, Matthew Carrot, and Charles Taters!" said Friar Bacon.
"All here, sir."
"You understand it, Mangel?"
"Iss, sir, I unnerstaans it."
"Can you write your name, Mangel?"
"Iss, sir."
Breathless interest. A dense background of smock-frocks accumulated behind Mangel, and many eyes in it looked doubtfully at Friar Bacon, as who should say, "Can he really though?" Mangel put down his hat, retired a little to get a good look at the paper, wetted his right hand thoroughly by drawing it slowly across his mouth, approached the paper with great determination, flattened it, sat down at it, and got well to his work. Circuitous and sea-serpent-like, were the movements of the tongue of Mangel while he formed the letters; elevated were the eyebrows of Mangel and sidelong the eyes, as, with his left whisker reposing on his left arm, they followed his performance; many were the misgivings of Mangel, and slow was his retrospective meditation touching the junction of the letter p with h; something too active was the big forefinger of Mangel in its propensity to rub out without proved cause. At last, long and deep was the breath drawn by Mangel when he laid down the pen; long and deep the wondering breath drawn by the background--as if they had watched his walking across the rapids of Niagara, on stilts, and now cried, "He has done it!"
But, Mangel was an honest man, if ever honest man lived. "T'owt to be a hell, sir," said he, contemplating his work, "and I ha' made a t on 't."
The over-fraught bosoms of the background found relief in a roar of laughter.
"OR-DER!" cried the little man. "CHEER!" And after that second word, came forth from his mug no more.
Several other clubs signed, and received their money. Very few could write their names; all who could not, pleaded that they could not, more or less sorrowfully, and always with a shake of the head, and in a lower voice than their natural speaking voice. Crosses could be made standing; signatures must be sat down to. There was no exception to this rule. Meantime, the various club-members smoked, drank their beer, and talked together quite unrestrained. They all wore their hats, except when they went up to Friar Bacon's table. The merry-faced little man offered his beer, with a natural good-fellowship, both to the Dreary one and Philosewers. Both partook of it with thanks.
"Seven o'clock!" said Friar Bacon. "And now we better get across to the concert, men, for the music will be beginning."
The concert was in Friar Bacon's laboratory; a large building near at hand, in an open field. The bettermost people of the village and neighbourhood were in a gallery on one side, and, in a gallery opposite the orchestra. The whole space below was filled with the labouring people and their families, to the number of five or six hundred. We had been obliged to turn away two hundred to-night, Friar Bacon said, for want of room--and that, not counting the boys, of whom we had taken in only a few picked ones, by reason of the boys, as a class, being given to too fervent a custom of applauding with their boot-heels.
The performers were the ladies of Friar Bacon's family, and two gentlemen; one of them, who presided, a Doctor of Music. A piano was the only instrument. Among the vocal pieces, we had a negro melody (rapturously encored), the Indian Drum, and the Village Blacksmith; neither did we want for fashionable Italian, having Ah! non giunge, and Mi manca la voce. Our success was splendid; our good-humoured, unaffected, and modest bearing, a pattern. As to the audience, they were far more polite and far more pleased than at the Opera; they were faultless. Thus for barely an hour the concert lasted, with thousands of great bottles looking on from the walls, containing the results of Friar Bacon's Million and one experiments in agricultural chemistry; and containing too, no doubt, a variety of materials with which the Friar could have blown us all through the roof at five minutes' notice.
God save the Queen being done, the good Friar stepped forward and said a few words, more