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Comical People, by Unknown
The Project Gutenberg EBook of Comical People, by Unknown This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net
Title: Comical People
Author: Unknown
Illustrator: J. J. Grandville
Release Date: November 6, 2007 [EBook #23352]
Language: English
Character set encoding: ISO-8859-1
*** START OF THIS PROJECT GUTENBERG EBOOK COMICAL PEOPLE ***
Produced by David Edwards, Emmy and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The University of Florida, The Internet Archive/Children's Library)
[Illustration: Cover: COMICAL PEOPLE]
COMICAL PEOPLE.
COMICAL PEOPLE
ILLUSTRATED
WITH SIXTEEN PICTURES
TAKEN FROM THE EMBROIDERED TAPESTRY CONTRIBUTED BY MARIA FUSINATA, OF BELLUNO, TO THE GREAT EXHIBITION.
Drawn and Grouped from the Designs
OF
J. J. GRANDVILLE.
LONDON: DAVID BOGUE, 86 FLEET STREET. MDCCCLII.
CONTENTS.
PAGE
LADY CHAFFINCH'S BALL 1
THE LORD OF THE MANOR 13
MY NEIGHBOURS. A COUNTRY STORY. BY WARREN RABBITT 17
THE DE MOUSAS. A TALE 27
ROOKWOOD HALL 33
CITY PEOPLE 37
THE PORTRAIT-PAINTER 41
THE STUFFED ANIMALS IN THE EXHIBITION 46
ALDERMAN GOBBLE'S AMBITION 49
MRS. STRUTT'S SEMINARY 53
ILLUSTRATIONS.
PAGE
LADY CHAFFINCH'S BALL (Double Plate) Frontispiece
THE GREAT MR. GRANDBOY AND THE HON. MRS. DELMACARE 5
LADY ZEBU AND ADMIRAL MACAW 7
THE POACHER 13
THE DUEL BETWEEN MR. CHANTICLEER AND YOUNG LEVERETT 17
MR. LEVERETT'S INTERVIEW WITH SHARPE VULTURE, ESQ. 23
THE ARREST OF MR. CHANTICLEER 25
THE DE MOUSAS 27
THE MARRIAGE SETTLEMENT 33
MR. TRUNK AND HIS ADVISERS 37
MR. PORCUPINE'S STUDIO 41
THE STRANGE VISITORS AT THE EXHIBITION 47
LORD FALCON AND HIS LONDON VISITORS 49
THE WALK TO HIGHGATE 53
THE TRAVELLING SHOWMAN 55
PREFACE.
AMONG the contributions to the Great Exhibition which, from their position, did not acquire that popularity and praise which was due to them, were some fine specimens of embroidery from Vienna and various towns in Austria.
Hung high up, beyond the glance of the casual observer, the elaborately-worked tapestry of Maria Fusinata attracted little attention. Those, however, who had the good fortune to notice it were always delighted with the excellent adaptation of the clever designs of Grandville, which the embroiderer had so faithfully rendered. The expression of the animals was most cleverly given, and the brightness of the colours added much to the effect of the compositions.
Had Ploucquet added some of these designs to his "Reynard the Fox," he would have increased the attraction of his show, deservedly popular as it was. Grandville, in these delineations of the faculties of animals, is quite equal to Kaulbach; and, though the French artist had not the honour of having his pictures copied in stuffed animals, they are thought to be quite worthy of being formed into a volume as a sequel to the "Comical Creatures from Wurtemberg."
LADY CHAFFINCH'S BALL.
HEIGH-HO! well, I am at home again at last. I wonder if I am the same innocent little Linnet that left these bowers only three months ago. What have I seen, where have I been?--or rather, What have I not seen, where have I not been? I have visited China and Peru, Nova Scotia, Trinidad, and Tuscany; I have been to Sweden, Egypt, Germany, and Mexico, and I have some recollections of Sardinia, and the United States. This is good travelling for three months, is it not?
Let me think: how shall I tell you about it? I will begin at the beginning--
Three months ago, as I was sitting in our summer-house, warbling one of my newest songs, our page Tom--Tom-tit we call him, he is such a funny little fellow--brought me a letter that had just been left by the postboy.
I have it by heart.
"My dear little Songbird,"--this is a name they gave to me from my infancy, for they say I could sing before I could speak,--"My dear little Songbird," thus the letter began, "All the world is coming to London this spring to see the most wonderful of sights; try and persuade my dear sister, that kind Mamma of yours, to let you pay your long-promised visit to me. You must come in May, and you may stay with me as long as you can bear to be away from your delightful home. Let me know when I may expect you.
"Your loving Aunt, "JENNY GOLDFINCH."
And I remember that the envelope was addressed, "Lady Linnet, Gorse Bush, Somersetshire;" and that in the left-hand corner there was written, "For Miss Linnet."
Did not I fly to my "kind Mamma" as soon as I had read this note, and when she had consented that I should go to see that dear old Aunt of mine in London, did not I half smother her with kisses. I thought the first of May would never come,--but it did; and Tom-tit was sent to London with me by the railway to take care of me.
My good Aunt received me with the greatest kindness, and her son Drinkwater, one of the handsomest young
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