Collected Works of Poe | Page 3

had submitted six stories in a volume. "Our only difficulty," says Mr. Latrobe, one of the judges, "was in selecting from the rich contents of the volume."
During the fifteen years of his literary life Poe was connected with various newspapers and magazines in Richmond, Philadelphia and New York. He was faithful, punctual, industrious, thorough. N. P. Willis, who for some time employed Poe as critic and sub-editor on the "Evening Mirror," wrote thus:
"With the highest admiration for Poe's genius, and a willingness to let it alone for more than ordinary irregularity, we were led by common report to expect a very capricious attention to his duties, and occasionally a scene of violence and difficulty. Time went on, however, and he was invariably punctual and industrious. We saw but one presentiment of the man-a quiet, patient, industrious and most gentlemanly person;
"We heard, from one who knew him well (what should be stated in all mention of his lamentable irregularities), that with a single glass of wine his whole nature was reversed, the demon became uppermost, and, though none of the usual signs of intoxication were visible, his will was palpably insane. In this reversed character, we repeat, it was never our chance to meet him."
On September 22, 1835, Poe married his cousin, Virginia Clemm, in Baltimore. She had barely turned thirteen years, Poe himself was but twentysix. He then was a resident of Richmond and a regular contributor to the "Southern Literary Messenger." It was not until a year later that the bride and her widowed mother followed him thither.
Poe's devotion to his cbild-wife was one of the most beautiful features of his life. Many of his famous poetic productions were inspired by her beauty and charm. Consumption had marked her for its victim, and the constant efforts of husband and mother were to secure for her all the comfort and happiness their slender means permitted. Virginia died January 30, 1847, when but twenty-five years of age. A friend of the family pictures the death-bed scene-mother and husband trying to impart warmth to her by chafing her hands and her feet, while her pet cat was suffered to nestle upon her bosom for the sake of added warmth.
These verses from "Annabel Lee," written by Poe in 1849, the last year of his life, tell of his sorrow at the loss of his child-wife:
I was a child and _she_ was a child,?In a kingdom by the sea;
But we loved with _a _love that was more than loveI?and my Annabel Lee;
With a love that the winged seraphs of heaven?Coveted her and me.?And this was the reason that, long ago;?In this kingdom by the sea.?A wind blew out of a cloud, chilling?My beautiful Annabel Lee;
So that her high-born kinsmen came?And bore her away from me,?To shut her up in a sepulchre?In this kingdom by the sea,
Poe was connected at various times and in various capacities with the "Southern Literary Messenger" in Richmond, Va.; "Graham's Magazine" and the "Gentleman's Magazine" in Philadelphia.; the "Evening Mirror," the "Broadway journal," and "Godey's Lady's Book" in New York. Everywhere Poe's life was one of unremitting toil. No tales and poems were ever produced at a greater cost of brain and spirit.
Poe's initial salary with the "Southern Literary Messenger," to which he contributed the first drafts of a number of his best-known tales, was $10 a week! Two years later his salary was but $600 a year. Even in 1844, when his literary reputation was established securely, he wrote to a friend expressing his pleasure because a magazine to which he was to contribute had agreed to pay him $20 monthly for two pages of criticism.
Those were discouraging times in American literature, but Poe never lost faith. He was finally to triumph wherever pre-eminent talents win admirers. His genius has had no better description than in this stanza from William Winter's poem, read at the dedication exercises of the Actors' Monument to Poe, May 4, 1885, in New York:
He was the voice of beauty and of woe,?Passion and mystery and the dread unknown;?Pure as the mountains of perpetual snow,?Cold as the icy winds that round them moan,?Dark as the eaves wherein earth's thunders groan,?Wild as the tempests of the upper sky,?Sweet as the faint, far-off celestial tone of angel
whispers, fluttering from on high,?And tender as love's tear when youth and beauty die.
In the two and a half score years that have elapsed since Poe's death he has come fully into his own. For a while Griswold's malignant misrepresentations colored the public estimate of Poe as man and as writer. But, thanks to J. H. Ingram, W. F. Gill, Eugene Didier, Sarah Helen Whitman and others these scandals have been dispelled and Poe is seen as he actually was-not as a man without failings, it is true, but as the