boyhood and school-days we are fortunate in being able to construct an unusually clear and complete idea. Both from his own autobiographic notes, from the traditionary testimony of his family, and from the no less valuable evidence of his most distinguished schoolfellow, we know that his youthful character and habits assign him very conspicuously to that perhaps somewhat small class of eminent men whose boyhood has given distinct indications of great things to come. Coleridge is as pronounced a specimen of this class as Scott is of its opposite. Scott has shown the world how commonplace a boyhood may precede a maturity of extraordinary powers. In Coleridge's case a boy of truly extraordinary qualities was father to one of the most remarkable of men. As the youngest of ten children (or of thirteen, reckoning the vicar's family of three by his first wife), Coleridge attributes the early bent of his disposition to causes the potency of which one may be permitted to think that he has somewhat exaggerated. It is not quite easy to believe that it was only through "certain jealousies of old Molly," his brother Frank's "dotingly fond nurse," and the infusions of these jealousies into his brother's mind, that he was drawn "from life in motion to life in thought and sensation." The physical impulses of boyhood, where they exist in vigour, are not so easily discouraged, and it is probable that they were naturally weaker and the meditative tendency stronger than Coleridge in after-life imagined. But to continue: "I never played," he proceeds, "except by myself, and then only acting over what I had been reading or fancying, or half one, half the other" (a practice common enough, it may be remarked, among boys of by no means morbidly imaginative habit), "cutting down weeds and nettles with a stick, as one of the seven champions of Christendom. Alas! I had all the simplicity, all the docility of the little child, but none of the child's habits. I never thought as a child--never had the language of a child." So it fared with him during the period of his home instruction, the first eight years of his life; and his father having, as scholar and schoolmaster, no doubt noted the strange precocity of his youngest son, appears to have devoted especial attention to his training. "In my ninth year," he continues, "my most dear, most revered father died suddenly. O that I might so pass away, if, like him, I were an Israelite without guile. The image of my father, my revered, kind, learned, simple-hearted father, is a religion to me."
Before he had attained his tenth year a presentation to Christ's Hospital was obtained for him by that eminent judge Mr. Justice Buller, a former pupil of his father's; and he was entered at the school on the 18th July 1782. His early bent towards poetry, though it displayed itself in youthful verse of unusual merit, is a less uncommon and arresting characteristic than his precocious speculative activity. Many a raw boy "lisps in numbers, for the numbers come;" but few discourse Alexandrian metaphysics at the same age, for the very good reason that the metaphysics as a rule do not "come." And even among those youth whom curiosity, or more often vanity, induces to dabble in such studies, one would find few indeed over whom they have cast such an irresistible spell as to estrange them for a while from poetry altogether. That this was the experience of Coleridge we have his own words to show. His son and biographer, the Rev. Derwent Coleridge, has a little antedated the poet's stages of development in stating that when his father was sent to Christ's Hospital in his eleventh year he was "already a poet, and yet more characteristically a metaphysician." A poet, yes, and a precocious scholar perhaps to boot, but a metaphysician, no; for the "delightful sketch of him by his friend and schoolfellow Charles Lamb" was pretty evidently taken not at "this period" of his life but some years later. Coleridge's own account of the matter in the Biographia Literaria is clear. [1] "At a very premature age, even before my fifteenth year," he says, "I had bewildered myself in metaphysics and in theological controversy. Nothing else pleased me. History and particular facts lost all interest in my mind. Poetry (though for a schoolboy of that age I was above par in English versification, and had already produced two or three compositions which I may venture to say were somewhat above mediocrity, and which had gained me more credit than the sound good sense of my old master was at all pleased with),--poetry itself, yea, novels and romance, became insipid to me." He goes on to describe how highly delighted he was if, during his
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