Cleopatra

Cleopatra

The Project Gutenberg EBook Cleopatra, by Georg Ebers, Complete #44 in our series by Georg Ebers
Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook.
This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission.
Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved.
**Welcome To The World of Free Plain Vanilla Electronic Texts**
**EBooks Readable By Both Humans and By Computers, Since 1971**
*****These EBooks Were Prepared By Thousands of Volunteers*****
Title: Cleopatra, Complete
Author: Georg Ebers
Release Date: April, 2004 [EBook #5482] [Yes, we are more than one year ahead of schedule] [This file was first posted on May 21, 2002]
Edition: 10
Language: English
Character set encoding: ASCII

*** START OF THE PROJECT GUTENBERG EBOOK CLEOPATRA, BY EBERS, COMPLETE ***

This eBook was produced by David Widger

[NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them. D.W.]

CLEOPATRA
By Georg Ebers

Translated from the German by Mary J. Safford

PREFACE.
If the author should be told that the sentimental love of our day was unknown to the pagan world, he would not cite last the two lovers, Antony and Cleopatra, and the will of the powerful Roman general, in which he expressed the desire, wherever he might die, to be buried beside the woman whom he loved to his latest hour. His wish was fulfilled, and the love-life of these two distinguished mortals, which belongs to history, has more than once afforded to art and poesy a welcome subject.
In regard to Cleopatra, especially, life was surrounded with an atmosphere of romance bordering on the fabulous. Even her bitterest foes admire her beauty and rare gifts of intellect. Her character, on the contrary, presents one of the most difficult problems of psychology. The servility of Roman poets and authors, who were unwilling frankly to acknowledge the light emanating so brilliantly from the foe of the state and the Imperator, solved it to her disadvantage. Everything that bore the name of Egyptian was hateful or suspicious to the Roman, and it was hard to forgive this woman, born on the banks of the Nile, for having seen Julius Caesar at her feet and compelled Mark Antony to do her bidding. Other historians, Plutarch at their head, explained the enigma more justly, and in many respects in her favour.
It was a delightful task to the author to scan more closely the personality of the hapless Queen, and from the wealth of existing information shape for himself a creature in whom he could believe. Years elapsed ere he succeeded; but now that he views the completed picture, he thinks that many persons might be disposed to object to the brightness of his colours. Yet it would not be difficult for the writer to justify every shade which he has used. If, during his creative work, he learned to love his heroine, it was because, the more distinctly he conjured before his mind the image of this wonderful woman, the more keenly he felt and the more distinctly he perceived how fully she merited not only sympathy and admiration, but, in spite of all her sins and weaknesses, the self-sacrificing affection which she inspired in so many hearts.
It was an author of no less importance than Horace who called Cleopatra "non humilis mulier"--a woman capable of no baseness. But the phrase gains its greatest importance from the fact that it adorns the hymn which the poet dedicated to Octavianus and his victory over Antony and Cleopatra. It was a bold act, in such an ode, to praise the victor's foe. Yet he did it, and his words, which are equivalent to a deed, are among this greatly misjudged woman's fairest claims to renown.
Unfortunately it proved less potent than the opinion of Dio, who often distorted what Plutarch related, but probably followed most closely the farce or the popular tales which, in Rome, did not venture to show the Egyptian in a favourable light.
The Greek Plutarch, who lived much nearer the period of our heroine than Dio, estimated her more justly than most of the Roman historians. His grandfather had heard many tales of both Cleopatra and Antony from his countryman Philotas, who, during the brilliant days when they revelled in Alexandria, had lived there as a student. Of all the