XIII. Belford to Lovelace.-- Again earnestly expostulates with him in the lady's favour. Remembers and applauds the part she bore in the conversation at his collation. The frothy wit of libertines how despicable. Censures the folly, the weakness, the grossness, the unpermanency of sensual love. Calls some of his contrivances trite, stale, and poor. Beseeches him to remove her from the vile house. How many dreadful stories could the horrid Sinclair tell the sex! Serious reflections on the dying state of his uncle.
LETTER XIV. Lovelace to Belford.-- Cannot yet procure a license. Has secured a retreat, if not victory. Defends in anger the simplicity of his inventive contrivances. Enters upon his general defence, compared with the principles and practices of other libertines. Heroes and warlike kings worse men than he. Epitome of his and the lady's story after ten years' cohabitation. Caution to those who would censure him. Had the sex made virtue a recommendation to their favour, he says, he should have had a greater regard to his morals than he has had.
LETTER XV. From the same.-- Preparative to his little mine, as he calls it. Loves to write to the moment. Alarm begins. Affectedly terrified.
LETTER XVI. From the same.-- The lady frighted out of her bed by dreadful cries of fire. She awes him into decency. On an extorted promise of forgiveness, he leaves her. Repenting, he returns; but finds her door fastened. What a triumph has her sex obtained by her virtue! But how will she see him next morning, as he has given her.
LETTER XVII. Lovelace to Belford.-- Dialogue with Clarissa, the door between them. Her letter to him. She will not see him for a week.
LETTER XVIII. From the same.-- Copies of letters that pass between them. Goes to the commons to try to get the license. She shall see him, he declares, on his return. Love and compassion hard to be separated. Her fluctuating reasons on their present situation. Is jealous of her superior qualities. Does justice to her immovable virtue.
LETTER XIX. From the same.-- The lady escaped. His rage. Makes a solemn vow of revenge, if once more he gets her into his power. His man Will. is gone in search of her. His hopes; on what grounded. He will advertise her. Describes her dress. Letter left behind her. Accuses her (that is to say, LOVELACE accuses her,) of niceness, prudery, affectation.
LETTER XX. From the same.-- A letter from Miss Howe to Clarissa falls into his hands; which, had it come to her's, would have laid open and detected all his designs. In it she acquits Clarissa of prudery, coquetry, and undue reserve. Admires, applauds, blesses her for the example she has set for her sex, and for the credit she has done it, by her conduct in the most difficult situations.
[This letter may be considered as a kind of summary of Clarissa's trials, her persecutions, and exemplary conduct hitherto; and of Mr. Lovelace's intrigues, plots, and views, so far as Miss Howe could be supposed to know them, or to guess at them.]
A letter from Lovelace, which farther shows the fertility of his contriving genius.
LETTER XXI. Clarissa to Miss Howe.-- Informs her of Lovelace's villany, and of her escape. Her only concern, what. The course she intends to pursue.
LETTER XXII. Lovelace to Belford.-- Exults on hearing, from his man Will., that the lady has refuged herself at Hampstead. Observations in a style of levity on some passages in the letter she left behind her. Intimates that Tomlinson is arrived to aid his purposes. The chariot is come; and now, dressed like a bridegroom, attended by a footman she never saw, he is already, he says, at Hampstead.
LETTER XXIII. XXIV. Lovelace to Belford.-- Exults on his contrivances.--By what means he gets into the lady's presence at Mrs. Moore's. Her terrors, fits, exclamations. His plausible tales to Mrs. Moore and Miss Rawlins. His intrepid behaviour to the lady. Copies of letters from Tomlinson, and of pretended ones from his own relations, calculated to pacify and delude her.
LETTER XXV. XXVI. From the same.-- His farther arts, inventions, and intrepidity. She puts home questions to him. 'Ungenerous and ungrateful she calls him. He knows not the value of the heart he had insulted. He had a plain path before him, after he had tricked her out of her father's house! But that now her mind was raised above fortune, and above him.' His precautionary contrivances.
LETTER XXVII. XXVIII. XXX. XXXI. XXXII. From the same.-- Character of widow Bevis. Prepossesses the women against Miss Howe. Leads them to think she is in love with him. Apt himself to think so; and why. Women like not novices; and why. Their vulgar aphorism animadverted on. Tomlinson arrives. Artful conversation between them. Miss Rawlins's prudery. His forged letter in imitation of
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