Civilization of Renaissance in Italy | Page 3

Jacob Burckhardt
this "small print!"
statement. You may however, if you wish, distribute this etext in
machine readable binary, compressed, mark-up, or proprietary form,
including any form resulting from conversion by word pro- cessing or
hypertext software, but only so long as *EITHER*:

[*] The etext, when displayed, is clearly readable, and does *not*
contain characters other than those intended by the author of the work,
although tilde (~), asterisk (*) and underline (_) characters may be used
to convey punctuation intended by the author, and additional characters
may be used to indicate hypertext links; OR
[*] The etext may be readily converted by the reader at no expense into
plain ASCII, EBCDIC or equivalent form by the program that displays
the etext (as is the case, for instance, with most word processors); OR
[*] You provide, or agree to also provide on request at no additional
cost, fee or expense, a copy of the etext in its original plain ASCII form
(or in EBCDIC or other equivalent proprietary form).
[2] Honor the etext refund and replacement provisions of this "Small
Print!" statement.
[3] Pay a trademark license fee to the Project of 20% of the net profits
you derive calculated using the method you already use to calculate
your applicable taxes. If you don't derive profits, no royalty is due.
Royalties are payable to "Project Gutenberg
Association/Carnegie-Mellon University" within the 60 days following
each date you prepare (or were legally required to prepare) your annual
(or equivalent periodic) tax return.
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU
DON'T HAVE TO?
The Project gratefully accepts contributions in money, time, scanning
machines, OCR software, public domain etexts, royalty free copyright
licenses, and every other sort of contribution you can think of. Money
should be paid to "Project Gutenberg Association / Carnegie-Mellon
University".
*END*THE SMALL PRINT! FOR PUBLIC DOMAIN
ETEXTS*Ver.04.29.93*END*

Redactor's Note: This version of Burckhardt is from the 2nd edition.
Many later editions were issued, but this is the last with Burckhardt's
own input. Burckhardt received nothing for his labors for this book,
and so it is fitting that it is returned to the public domain. Italics are
preserved and are bracketed by underscores (_).

The Civilization of the Renaissance in Italy
by Jacob Burckhardt

Table of Contents Part One: The State as a Work of Art 1-1
Introduction 1-2 Despots of the Fourteenth Century 1-3 Despots of the
Fifteenth Century 1-4 The Smaller Despotisms 1-5 The Greater
Dynasties 1-6 The Opponents of the Despots 1-7 The Republics:
Venice and Florence 1-8 Foreign Policy 1-9 War as a Work of Art 1-10
The Papacy 1-11 Patriotism Part Two: The Development of the
Individual 2-1 Personality 2-2 Glory 2-3 Ridicule and Wit Part Three:
The Revival of Antiquity 3-1 Introductory 3-2 The Ruins of Rome 3-3
The Classics 3-4 The Humanists 3-5 Universities and Schools 3-6
Propagators of Antiquity 3-7 Epistolography: Latin Orators 3-8 The
Treatise, and History in Latin 3-9 Antiquity as the Common Source
3-10 Neo-Latin Poetry 3-11 Fall of the Humanists in the Sixteenth
Century Part Four: The Discovery of the World and of Man 4-1
Journeys of the Italians 4-2 The Natural Sciences in Italy 4-3 Discovery
of the Beauty of the Landscape 4-4 Discovery of Man 4-5 Biography in
the Middle Ages 4-6 Description of the Outward Man 4-7 Description
of Human Life Part Five: Society and Festivals 5-1 Equality of Classes
5-2 Costumes and Fashions 5-3 Language and Society 5-4 Social
Etiquette 5-5 Education of the 'Cortigiano' 5-6 Music 5-7 Equality of
Men and Women 5-8 Domestic Life 5-9 Festivals Part Six: Morality
and Religion 6-1 Morality and Judgement 6-2 Morality and Immorality
6-3 Religion in Daily Life 6-4 Strength of the Old Faith 6-5 Religion
and the Spirit of the Renaissance 6-6 Influence of Ancient Superstition
6-7 General Spirit of Doubt
THE CIVILIZATION OF THE RENAISSANCE IN ITALY
By Jacob Burckhardt
Translated by S. G. C. Middlemore, 1878

Part I
THE STATE AS A WORK OF ART
INTRODUCTION
This work bears the title of an essay in the strictest sense of the word.
No one is more conscious than the writer with what limited means and
strength he has addressed himself to a task so arduous. And even if he
could look with greater confidence upon his own researches, he would
hardly thereby feel more assured of the approval of competent judges.
To each eye, perhaps, the outlines of a given civilization present a
different picture; and in treating of a civilization which is the mother of
our own, and whose influence is still at work among us, it is
unavoidable that individual judgement and feeling should tell every
moment both on the writer and on the reader. In the wide ocean upon
which we venture, the possible ways and directions are many; and the
Continue reading on your phone by scaning this QR Code

 / 188
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.