Cinderella in the South | Page 2

or in what I answered. He was a man of few words. He went off to the eastern wall, whither we followed him. I found him poking about there with a stick. The Jo'burg charioteer was soon fussing along, hurrying on tea-time. 'He didn't want to get a dose of fever this trip,' he said. He had heard about our unhealthy season up north, and the month was now April. He wanted to be back by sunset. So it came to pass that his party went off to tea with but side-glances at the hill-fastness.
'I'm neither a baboon nor a nigger,' said their host, when I proposed that he should go up. After all, it was good-natured of him to motor the dignitary out, I considered. He himself affected no sort of interest in antiquities, and the dignified antiquarian under his care was so wearily keen. I went to tea with them, postponing my reveries to camping time and night. It was not until we were eating guavas at the end of our meal that the engineer came in. Then the Jo'burger told him to hurry up, and went off to cherish his car. As to the engineer, his scanty tea-time was not left in peace. The dignitary lectured him on the true and patriotic theory of Ophir, on Astarte's worship, and Solomon's gold. He answered very little, but he hinted that there were difficulties. His lecturer glowed, and appealed to the Curator, who had just come in, bent and shaken with fever. Unhappily, yet happily for me, he trod on one of the curator's archaeological corns and involved himself in an apology. Before he was out of the wood I had asked the engineer a question or two.
'No time to talk now,' he said, 'too much cackle. Come and see me in the town. Or, if I miss you there, I may see you on the road, mayn't I? I'm due out your way in three days.'
Soon after he was petroled away. I went to camp in a clearing, to sup, to smoke, to read my guidebook. At last the night aged, and the moon rose. My carriers slept. I looked up in the night's starred face and beheld 'Huge cloudy symbols of a high romance' there. But would I ever live to trace them by 'the magic hand of chance,' as Keats called the grace of God? I began again to mumble the lines of my guide-book, and found them rather bare and dry. I looked up at the vast tapering walls. Why was there no script there? After all, that trenchant argument outweighed a many arguments; it scaled up like Brennus's sword, and made for a clear issue. I looked at the sleeping carriers. Did they hold the secret, not in tradition, not in history, but in the fleshy tables of the heart and brain and aspiration of their race? I went to sleep and dreamed of men building, building, building. They were building stone kraals for their sacred trusts of kine, chipping and carving away at their totem hawks and their crocodiles, breaking limbs and necks over a sky-high tower, with stones for their bricks, and no slime to make them mortar. How they sang over their work, and how it grew! Talk of Troy's walls; if only Kaffirs would start building a Troy, or a Palace of Art, or a Spiritual City, how the work would go forward to the music of them! I could hear all the parts in their melodies the checking and countering and refrains and responses of them. But, before I woke, the parts were merged in full chorus. With that unison music in my ears I rose and knelt and rose again hastily. Then I ran round to the eastern wall under the zig-zag patterns. I came only just in time to see the sunrise by so doing.
It was three days after that I caught up Spenser, the Government engineer.
'I have seen buildings in North Africa,' he told me. 'They weren't much like those at Mabgwe. In the north, if they built with stones they built with great slabs. But those granite flakes at Mabgwe were easy for a primitive people to manage a very primitive people. Very primitive, or why did they build on sand when, six inches deeper, they might have founded on bed-rock? They didn't understand arches, seemingly. They weren't very careful about bond in building, were they? Nor were they very careful to break joint outside, much less inside, so far as I can judge. And the script; where is it? And the graves; where are they? If they were Semites, why didn't they write? If they were Semites, why didn't they bury? . . . But it isn't as easy as it looks, the riddle.