fell out o' the winder and was kilt. They buried him from the Morgue. We thought you knowed."
Stunned by the blow, the woman had sunk upon the lowest step and buried her face in her hands. She sat there with her shawl drawn over her head, as one by one the neighbors went inside. One lingered; it was the one they had called Kate.
"Mame," she said, when the last was gone, touching her on the shoulder--"Mame!"
An almost imperceptible movement of the head under its shawl testified that she heard.
"Mebbe it was for the best," said Kate, irresolutely; "he might have took after--Tim--you know."
The shrouded figure sat immovable, Kate eyed it in silence, and went her way.
The night wore on. The streets were deserted and the stores closed. Only the saloon windows blazed with light. But the figure sat there yet. It had not stirred. Then it rose, shook out the shawl, and displayed the face of the convict woman who had sought refuge in Mrs. Kane's flat. The face was dry-eyed and hard.
The policeman on the beat rang the bell of the Florence Mission at two o'clock on Sunday morning, and waited until Mother Pringle had unbolted the door. "One for you," he said briefly, and pointed toward the bedraggled shape that crouched in the corner. It was his day off, and he had no time to trouble with prisoners. The matron drew a corner of the wet shawl aside and took one cold hand. She eyed it attentively; there was a wedding ring upon it.
"Why, child," she said, "you'll catch your death of cold. Come right in. Girls, give a hand."
Two of the women inmates half led, half carried her in, and the bolts shut out Bleecker Street once more. They led her to the dormitory, where they took off her dress and shawl, heavy with the cold rain. The matron came bustling in; one of the girls spoke to her aside. She looked sharply at the newcomer.
"Mamie Anderson!" she said. "Well, of all things! Where have you been all this while? Yes, I know," she added soothingly, as the stranger made a sign to speak. "Never mind; we'll talk about it to-morrow. Go to sleep now and get over it."
But though bathed and fed and dosed with bromide,--bromide is a standard prescription at the Florence Mission,--Mamie Anderson did not get over it. Bruised and sore from many blows, broken in body and spirit, she told the girls who sat by her bed through the night such fragments of her story as she could remember. It began, the part of it that took account of Bleecker Street, when her husband was sent to State's Prison for robbery, and, to live, she took up with a scoundrel from whom she kept the secret of her child. With such of her earnings as she could steal from her tormentor she had paid little Willie's board until she was arrested and sent to the Island.
What had happened in the three days since she escaped from the hospital, where she had been detailed with the scrubbing squad, she recalled only vaguely and with long lapses. They had been days and nights of wild carousing. She had come to herself at last, lying beaten and bound in a room in the house where her child was killed, so she said. A neighbor had heard her groans, released her, and given her car fare to go down town. So she had come and sat in the doorway of the Mission to die.
How much of this story was the imagining of a disordered mind, the police never found out.
Upon her body were marks as of ropes that had made dark bruises, but at the inquest they were said to be of blows. Toward morning, when the girls had lain down to snatch a moment's sleep, she called one of them, whom she had known before, and asked for a drink of water. As she took it with feeble hand, she asked:--
"Lil', can you pray?"
For an answer the girl knelt by her bed and prayed. When she had ended, Mamie Anderson fell asleep.
She was still sleeping when the others got up. They noticed after a while that she lay very quiet and white, and one of them going to see, found her dead.
That is the story of Mamie Anderson, as Bleecker Street told it to me. Out on Long Island there is, in a suburban cemetery, a lovely shaded spot where I sometimes sit by our child's grave. The green hillside slopes gently under the chestnuts, violets and buttercups spring from the sod, and the robin sings its jubilant note in the long June twilights. Halfway down the slope, six or eight green mounds cluster about a granite block in which are hewn the words:--
These are they
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