she chiefly feared was still the 
German Hansa. Chaucer's "Merchant" characteristically wears a 
"Flandrish beaver hat;" and it is no accident that the scene of the 
"Pardoner's Tale," which begins with a description of "superfluity 
abominable," is laid in Flanders. In England, indeed the towns never 
came to domineer as they did in the Netherlands. Yet, since no trading 
country will long submit to be ruled by the landed interest only, so in 
proportion as the English towns, and London especially, grew richer, 
their voices were listened to in the settlement of the affairs of the nation. 
It might be very well for Chaucer to close the description of his 
"Merchant" with what looks very much like a fashionable writer's half 
sneer:-- 
Forsooth, he was a worthy man withal; But, truly, I wot not how men 
him call. 
Yet not only was high political and social rank reached by individual 
"merchant princes," such as the wealthy William de la Pole, a 
descendant of whom is said (though on unsatisfactory evidence) to 
have been Chaucer's grand-daughter, but the government of the country 
came to be very perceptibly influenced by the class from which they 
sprang. On the accession of Richard II, two London citizens were 
appointed controllers of the war-subsidies granted to the Crown; and in 
the Parliament of 1382 a committee of fourteen merchants refused to 
entertain the question of a merchants' loan to the king. The importance 
and self-consciousness of the smaller tradesmen and handicraftsmen 
increased with that of the great merchants. When in 1393 King Richard 
II marked the termination of his quarrel with the City of London by a 
stately procession through "new Troy," he was welcomed, according to 
the Friar who has commemorated the event in Latin verse, by the trades 
in an array resembling an angelic host; and among the crafts 
enumerated we recognise several of those represented in Chaucer's
company of pilgrims--by the "Carpenter," the "Webbe" (Weaver), and 
the "Dyer," all clothed 
in one livery Of a solemn and great fraternity. 
The middle class, in short, was learning to hold up its head, collectively 
and individually. The historical original of Chaucer's "Host"--the actual 
Master Harry Bailly, vintner and landlord of the Tabard Inn in 
Southwark, was likewise a member of Parliament, and very probably 
felt as sure of himself in real life as the mimic personage bearing his 
name does in its fictitious reproduction. And he and his fellows, the 
"poor and simple Commons"--for so humble was the style they were 
wont to assume in their addresses to the sovereign,--began to look upon 
themselves, and to be looked upon, as a power in the State. The London 
traders and handicraftsmen knew what it was to be well-to-do citizens, 
and if they had failed to understand it, home monition would have 
helped to make it clear to them:-- 
Well seemed each of them a fair burgess, For sitting in a guildhall on a 
dais. And each one for the wisdom that he can Was shapely for to be an 
alderman. They had enough of chattels and of rent, And very gladly 
would their wives assent; And, truly, else they had been much to blame. 
It is full fair to be yclept madame, And fair to go to vigils all before, 
And have a mantle royally y-bore. 
The English State had ceased to be the feudal monarchy --the 
ramification of contributory courts and camps--of the crude days of 
William the Conqueror and his successors. The Norman lords and their 
English dependants no longer formed two separate elements in the 
body politic. In the great French wars of Edward III, the English armies 
had no longer mainly consisted of the baronial levies. The nobles had 
indeed, as of old, ridden into battle at the head of their vassals and 
retainers; but the body of the force had been made up of Englishmen 
serving for pay, and armed with their national implement, the 
bow--such as Chaucer's "Yeoman" carried with him on the ride to 
Canterbury:-- 
A sheaf of peacock arrows bright and keen Under his belt he bare full
thriftily. Well could he dress his tackle yeomanly: His arrows drooped 
not with feathers low, And in his hand he bare a mighty bow. 
The use of the bow was specially favoured by both Edward III and his 
successor; and when early in the next century the chivalrous Scottish 
king, James I (of whom mention will be made among Chaucer's poetic 
disciples) returned from his long English captivity to his native land, he 
had no more eager care than that his subjects should learn to emulate 
the English in the handling of their favourite weapon. Chaucer seems to 
be unable to picture an army without it, and we find him relating how, 
from ancient Troy,-- 
Hector and many a worthy wight    
    
		
	
	
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