were, it appears, very good; and that there should be introduced into Italy from Greece the delicate art of fattening fowls. Even to drink Greek wines seemed for a long time at Rome the caprice of an almost crazy luxury. As late as 18 B.C., Augustus made a sumptuary law that forbade spending for banquets on work-days more than two hundred sesterces (ten dollars); allowed three hundred sesterces (fifteen dollars) for the days of the Kalends, the Ides, and the Nones; and one thousand sesterces (fifty dollars) for nuptial banquets. It is clear, then, that the lords of the world banqueted in state at an expense that to us would seem modest indeed. And the women of ancient times, accused so sharply by the men of ruining them by their foolish extravagances, would cut a poor figure for elegant ostentation in comparison with modern dames of fashion. For example, silk, even in the most prosperous times, was considered a stuff, as we should say, for millionaires; only a few very rich women wore it; and, moreover, moralists detested it, because it revealed too clearly the form of the body. Lollia Paulina passed into history because she possessed jewels worth several million francs: there are to-day too many Lollia Paulinas for any one of them to hope to buy immortality at so cheap a rate.
I should reach the same conclusions if I could show you what the Roman writers really meant by corruption in their accounts of the relations between the sexes. It is not possible here to make critical analyses of texts and facts concerning this material, for reasons that you readily divine; but it would be easy to prove that also in this respect posterity has seen the evil much larger than it was.
Why, then, did the ancient writers bewail luxury, inclination to pleasure, prodigality--things all comprised in the notorious "corruption"--in so much the livelier fashion than do moderns, although they lived in a world which, being poorer and more simple, could amuse itself, make display, and indulge in dissipation so much less than we do? This is one of the chief questions of Roman history, and I flatter myself not to have entirely wasted work in writing my book [1] above all, because I hope to have contributed a little, if not actually to solve this question, at least to illuminate it; because in so doing I believe I have found a kind of key that opens at the same time many mysteries in Roman history and in contemporary life. The ancient writers and moralists wrote so much of Roman corruption, because--nearer in this, as in so many other things, to the vivid actuality--they understood that wars, revolutions, the great spectacular events that are accomplished in sight of the world, do not form all the life of peoples; that these occurrences, on the contrary, are but the ultimate, exterior explanation, the external irradiation, or the final explosion of an internal force that is acting constantly in the family, in private habit, in the moral and intellectual disposition of the individual. They understood that all the changes, internal and external, in a nation, are bound together and in part depend on one very common fact, which is everlasting and universal, and which everybody may observe if he will but look about him--on the increase of wants, the enlargement of ideas, the shifting of habits, the advance of luxury, the increase of expense that is caused by every generation.
[Footnote 1: The Greatness and Decline of Rome. 5 vols. New York and London.];
Look around you to-day: in every family you may easily observe the same phenomenon. A man has been born in a certain social condition and has succeeded during his youth and vigour in adding to his original fortune. Little by little as he was growing rich, his needs and his luxuries increased. When a certain point was reached, he stopped. The men are few who can indefinitely augment their particular wants, or keep changing their habits throughout their lives, even after the disappearance of vigour and virile elasticity. The increase of wants and of luxury, the change of habits, continues, instead, in the new generation, in the children, who began to live in the ease which their fathers won after long effort and fatigue, and in maturer age; who, in short, started where the previous generation left off, and therefore wish to gain yet new enjoyments, different from and greater than those that they obtained without trouble through the efforts of the preceding generation. It is this little common drama, which we see re-enacted in every family and in which every one of us has been and will be an actor--to-day as a young radical who innovates customs, to-morrow as an old conservative, out-of-date and malcontent in the eyes
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