Chamberss Edinburgh Journal, No. 438 | Page 8

whatever spoil was stranded, no life-boat appeared; and the few remaining on the wreck were now fain to trust themselves to the rioting surf. Margaret would not go alone. With her husband and attendant (Celeste), she was just about to try the planks prepared by four seamen, and the steward had just taken little Nino in his arms, pledged to save him or die, 'when a sea struck the forecastle, and the foremast fell, carrying with it the deck and all upon it. The steward and Angelino were washed upon the beach, both dead, though warm, some twenty minutes after. Celeste and Ossoli were caught for a moment by the rigging, but the next wave swallowed them up. Margaret sank at once. When last seen, she had been seated at the foot of the foremast, still clad in her white night-dress, with her hair fallen loose upon her shoulders.' No trace was found of her manuscript on Italy: her love-correspondence with Ossoli was the only relic--the last memorial of that howling hurricane, pitiless sea, wreck on a sand-bar, an idle life-boat, beach-pirates, and not one friend!
With the exception of certain sections of laboured, writhing wordiness, the feverish restlessness and hectic symptoms of which are but too familiar to persons read in the literature of second-rate transcendentalism, these volumes comprise a large amount of matter that will well repay perusal, and portray a character of no ordinary type--a 'large-brained woman and large-hearted man.'
FOOTNOTES:
[1] Memoirs of Margaret Fuller Ossoli. 3 vols. London: Bentley. 1852.
[2] Mr Fuller's Autobiography, which comprises the first sixty pages of these Memoirs.

THE COUNTER-STROKE.
Just after breakfast one fine spring morning in 1837, an advertisement in the Times for a curate caught and fixed my attention. The salary was sufficiently remunerative for a bachelor, and the parish, as I personally knew, one of the most pleasantly situated in all Somersetshire. Having said that, the reader will readily understand that it could not have been a hundred miles from Taunton. I instantly wrote, enclosing testimonials, with which the Rev. Mr Townley, the rector, was so entirely satisfied, that the return-post brought me a positive engagement, unclogged with the slightest objection to one or two subsidiary items I had stipulated for, and accompanied by an invitation to make the rectory my home till I could conveniently suit myself elsewhere. This was both kind and handsome; and the next day but one I took coach, with a light heart, for my new destination. It thus happened that I became acquainted, and in some degree mixed up, with the train of events it is my present purpose to relate.
The rector I found to be a stout, portly gentleman, whose years already reached to between sixty and seventy. So many winters, although they had plentifully besprinkled his hair with gray, shone out with ruddy brightness in his still handsome face, and keen, kindly, bright-hazel eyes; and his voice, hearty and ringing, had not as yet one quaver of age in it. I met him at breakfast on the morning after my arrival, and his reception of me was most friendly. We had spoken together but for a few minutes, when one of the French windows, that led from the breakfast-room into a shrubbery and flower-garden, gently opened and admitted a lady, just then, as I afterwards learned, in her nineteenth spring. I use this term almost unconsciously, for I cannot even now, in the glowing summer of her life, dissociate her image from that season of youth and joyousness. She was introduced to me, with old-fashioned simplicity, as 'My grand-daughter, Agnes Townley.' It is difficult to look at beauty through other men's eyes, and, in the present instance, I feel that I should fail miserably in the endeavour to stamp upon this blank, dead paper, any adequate idea of the fresh loveliness, the rose-bud beauty of that young girl. I will merely say, that her perfectly Grecian head, wreathed with wavy bandeaux of bright hair, undulating with golden light, vividly brought to my mind Raphael's halo-tinted portraitures of the Virgin--with this difference, that in place of the holy calm and resignation of the painting, there was in Agnes Townley a sparkling youth and life, that even amidst the heat and glare of a crowded ball-room or of a theatre, irresistibly suggested and recalled the freshness and perfume of the morning--of a cloudless, rosy morning of May. And, far higher charm than feature-beauty, however exquisite, a sweetness of disposition, a kind gentleness of mind and temper, was evidenced in every line of her face, in every accent of the low-pitched, silver voice, that breathed through lips made only to smile.
Let me own, that I was greatly struck by so remarkable a combination of rare endowments; and this, I think, the sharp-eyed rector must have perceived, or