a few small farmers of his property in Artois. These ill-paid rents, with his salary as a representative, are said to have supported three persons--himself, his brother, and his sister; and so straitened was he in circumstances, that he had to borrow occasionally from his landlord. Even with all his pinching, he did not make both ends meet. We have it on authority, that at his death he was owing L.160; a small debt to be incurred during a residence of five years in Paris, by a person who figured as a leader of parties; and the insignificance of this sum attests his remarkable self-denial.
Lamartine's account of the private life of Robespierre in the house of the Duplays is exceedingly fascinating, and we should suppose is founded on well-authorised facts. The house of Duplay, he says, 'was low, and in a court surrounded by sheds filled with timber and plants, and had almost a rustic appearance. It consisted of a parlour opening to the court, and communicating with a sitting-room that looked into a small garden. From the sitting-room a door led into a small study, in which was a piano. There was a winding-staircase to the first floor, where the master of the house lived, and thence to the apartment of Robespierre.'
Here, long acquaintance, a common table, and association for several years, 'converted the hospitality of Duplay into an attachment that became reciprocal. The family of his landlord became a second family to Robespierre, and while they adopted his opinions, they neither lost the simplicity of their manners nor neglected their religious observances. They consisted of a father, mother, a son yet a youth, and four daughters, the eldest of whom was twenty-five, and the youngest eighteen. Familiar with the father, filial with the mother, paternal with the son, tender and almost brotherly with the young girls, he inspired and felt in this small domestic circle all those sentiments that only an ardent soul inspires and feels by spreading abroad its sympathies. Love also attached his heart, where toil, poverty, and retirement had fixed his life. Eléonore Duplay, the eldest daughter of his host, inspired Robespierre with a more serious attachment than her sisters. The feeling, rather predilection than passion, was more reasonable on the part of Robespierre, more ardent and simple on the part of the young girl. This affection afforded him tenderness without torment, happiness without excitement: it was the love adapted for a man plunged all day in the agitation of public life--a repose of the heart after mental fatigue. He and Eléonore lived in the same house as a betrothed couple, not as lovers. Robespierre had demanded the young girl's hand from her parents, and they had promised it to him.
'"The total want of fortune," he said, "and the uncertainty of the morrow, prevented him from marrying her until the destiny of France was determined; but he only awaited the moment when the Revolution should be concluded, in order to retire from the turmoil and strife, marry her whom he loved, go to reside with her in Artois, on one of the farms he had saved among the possessions of his family, and there to mingle his obscure happiness in the common lot of his family."
'The vicissitudes of the fortune, influence, and popularity of Robespierre effected no change in his simple mode of living. The multitude came to implore favour or life at the door of his house, yet nothing found its way within. The private lodging of Robespierre consisted of a low chamber, constructed in the form of a garret, above some cart-sheds, with the window opening upon the roof. It afforded no other prospect than the interior of a small court, resembling a wood-store, where the sounds of the workmen's hammers and saws constantly resounded, and which was continually traversed by Madame Duplay and her daughters, who there performed all their household duties. This chamber was also separated from that of the landlord by a small room common to the family and himself. On the other side were two rooms, likewise attics, which were inhabited, one by the son of the master of the house, the other by Simon Duplay, Robespierre's secretary, and the nephew of his host.
'The chamber of the deputy contained only a wooden bedstead, covered with blue damask ornamented with white flowers, a table, and four straw-bottomed chairs. This apartment served him at once for a study and dormitory. His papers, his reports, the manuscripts of his discourses, written by himself in a regular but laboured hand, and with many marks of erasure, were placed carefully on deal-shelves against the wall. A few chosen books were also ranged thereon. A volume of Jean Jacques Rousseau or of Racine was generally open upon his table, and attested his philosophical and literary
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