artistic superiority of 
architectural form, its acoustic properties having been tested, it is found 
to be truly an auditorium. The curving walls and pure atmosphere 
combine to aid the voice, and carry its softest tones with marvelous 
distinctness to every portion of the immense inclosed space. As a 
concert hall its capacity has been tested by musicians who are said to 
have been enthusiastic over the success of their experiments. Several 
years ago a piano was lowered into the cave for use on a special 
occasion, and still occupies a position on the dancing platform, where it 
will probably remain indefinitely under the scant protection of a small 
canvas tent. 
The chief ornament of the Auditorium is the White Throne, a 
stalagmitic mass that when viewed from the stairway appears to rest 
solidly against the most distant wall, and looks so small an object in 
that vast space as to render a realization of its actual measurement 
impossible. The height of the Throne is sixty-five feet and the girth two 
hundred. It is a mass of dripstone resting on a limestone base reserved 
from the ancient excavation to receive it, and on careful inspection the 
perpendicular lines, observed on the front, are found to be a set of 
rather large organ pipes. A fresh fracture shows the Throne to be a most 
beautiful white and gold onyx. The outer surface has now received a 
thin coating of yellow clay which was, of course, regretted, but later 
observations on onyx building reveals the pleasing fact that if the 
crystal-bearing waters continue to drip, the yellow clay will supply the 
coloring matter for a golden band of crystal.
The Throne is hollow and has a natural opening in one side by which it 
may be entered, but the space within is too limited to invite a lengthy 
stay. That portion of the outside which is nearest the wall is formed 
with sufficient irregularity of outline to admit of an ascent to the top, 
and the view obtained is well worth the difficult scramble up and the 
apprehensive slide down. Being raised so high above all objects that 
divide attention or in some degree obstruct the view, permits a freedom 
of outlook that sensibly increases the appreciation of the vastness of the 
enclosed chamber and its enclosing walls. Efforts to establish the age of 
the deposit by observations on the yearly growth, would afford little 
satisfaction, for the obvious reason that conditions governing the 
growth are dependent, in a measure, on each season's vegetation. 
Deposit began, of course, after the erosion of the chamber ceased, and 
therefore represents only a fraction of the age of the cave itself. About 
thirty feet west of the White Throne and against the wall, stands the 
next onyx attraction in the form of a beautiful fluted column nearly 
twenty feet high, tapering up from a base three feet in diameter, and 
known as the Spring Room Sentinel, because the Spring of Youth is 
just behind it although not directly connected with the Auditorium; it 
being the first chamber on the left in Total Depravity Passage, a wet 
and dangerous way of which next to nothing is known, but the entrance 
to which is a fine arch a few feet west of the Sentinel. The Spring of 
Youth is reached by climbing through a window-like opening, and is 
very small, very wet, very cold, and very beautiful. It is not more than 
ten feet high nor six in its greatest length and breadth, but every inch of 
its irregular surface is composed of dripstone of a bright yellowish-red 
and colorless crystal; and down the glittering walls trickles clear and 
almost ice-cold water, to the onyx floor where it is caught and held in a 
marvelous fluted bowl of its own manufacture. This is said to be the 
gem of the whole cave and seems to have been placed where it is for 
the consolation of those who are unable to enjoy the peculiar grandeur 
of the Auditorium, and leave it as some actually are said to do, with a 
sense of disappointment, because it is not the gleaming white hall of 
marble which some writers for reputable journals have allowed their 
imaginations to create. 
In winter the Spring of Youth Room takes on a complete coating of ice,
with icicles of all sizes hanging from the ceiling and projections. The 
effect is described as being wonderfully beautiful. 
Further down Total Depravity Passage we were not urged to go, 
because at that season of the year it is wet and difficult, without any 
sufficient promise of a brilliant compensation for the achievement of 
such a journey. But the Spring of Youth Room, or as it is generally 
called, the Spring Room, is more than ample justification for the 
existence of the    
    
		
	
	
	Continue reading on your phone by scaning this QR Code
 
	 	
	
	
	    Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the 
Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.
	    
	    
