Castilian Days | Page 2

Madrid, and their weak successors, sunk in ignoble pleasures, had not energy enough to indulge the royal folly of building. When the Bourbons came down from France there was a little flurry of construction under Philip V., but he never finished his palace in the Plaza del Oriente, and was soon absorbed in constructing his castle in cloud-land on the heights of La Granja. The only real ruler the Bourbons ever gave to Spain was Charles III., and to him Madrid owes all that it has of architecture and civic improvement. Seconded by his able and liberal minister, Count Aranda, who was educated abroad, and so free from the trammels of Spanish ignorance and superstition, he rapidly changed the ignoble town into something like a city. The greater portion of the public buildings date from this active and beneficent reign. It was he who laid out the walks and promenades which give to Madrid almost its only outward attraction. The Picture Gallery, which is the shrine of all pilgrims of taste, was built by him for a Museum of Natural Science. In nearly all that a stranger cares to see, Madrid is not an older city than Boston.
There is consequently no glory of tradition here. There are no cathedrals. There are no ruins. There is none of that mysterious and haunting memory that peoples the air with spectres in quiet towns like Ravenna and Nuremberg. And there is little of that vast movement of humanity that possesses and bewilders you in San Francisco and New York. Madrid is larger than Chicago; but Chicago is a great city and Madrid a great village. The pulsations of life in the two places resemble each other no more than the beating of Dexter's heart on the home-stretch is like the rising and falling of an oozy tide in a marshy inlet.
There is nothing indigenous in Madrid. There is no marked local color. It is a city of Castile, but not a Castilian city, like Toledo, which girds its graceful waist with the golden Tagus, or like Segovia, fastened to its rock in hopeless shipwreck.
But it is not for this reason destitute of an interest of its own. By reason of its exceptional history and character it is the best point in Spain to study Spanish life. It has no distinctive traits itself, but it is a patchwork of all Spain. Every province of the Peninsula sends a contingent to its population. The Gallicians hew its wood and draw its water; the Asturian women nurse its babies at their deep bosoms, and fill the promenades with their brilliant costumes; the Valentians carpet its halls and quench its thirst with orgeat of chufas; in every street you shall see the red bonnet and sandalled feet of the Catalan; in every cafe, the shaven face and rat-tail chignon of the Majo of Andalusia. If it have no character of its own, it is a mirror where all the faces of the Peninsula may sometimes be seen. It is like the mockingbird of the West, that has no song of its own, and yet makes the woods ring with every note it has ever heard.
Though Madrid gives a picture in little of all Spain, it is not all Spanish. It has a large foreign population. Not only its immediate neighbors, the French, are here in great numbers,--conquering so far their repugnance to emigration, and living as gayly as possible in the midst of traditional hatred,--but there are also many Germans and English in business here, and a few stray Yankees have pitched their tents, to reinforce the teeth of the Dons, and to sell them ploughs and sewing-machines. Its railroads have waked it up to a new life, and the Revolution has set free the thought of its people to an extent which would have been hardly credible a few years ago. Its streets swarm with newsboys and strangers,--the agencies that are to bring its people into the movement of the age.
It has a superb opera-house, which might as well be in Naples, for all the national character it has; the court theatre, where not a word of Cas-tilian is ever heard, nor a strain of Spanish music. Even cosmopolite Paris has her grand opera sung in French, and easy-going Vienna insists that Don Juan shall make love in German. The champagny strains of Offenbach are heard in every town of Spain oftener than the ballads of the country. In Madrid there are more pilluelos who whistle _Bu qui s'avance_ than the Hymn of Riego. The Cancan has taken its place on the boards of every stage in the city, apparently to stay; and the exquisite jota and cachucha are giving way to the bestialities of the casino cadet. It is useless perhaps to fight against that