but only so long as *EITHER*:
[*] The etext, when displayed, is clearly readable, and does *not* contain characters other than those intended by the author of the work, although tilde (~), asterisk (*) and underline (i) characters may be used to convey punctuation intended by the author, and additional characters may be used to indicate hypertext links; OR
[*] The etext may be readily converted by the reader at no expense into plain ASCII, EBCDIC or equivalent form by the program that displays the etext (as is the case, for instance, with most word processors); OR
[*] You provide, or agree to also provide on request at no additional cost, fee or expense, a copy of the etext in its original plain ASCII form (or in EBCDIC or other equivalent proprietary form).
[2] Honor the etext refund and replacement provisions of this "Small Print!" statement.
[3] Pay a trademark license fee to the Project of 20% of the net profits you derive calculated using the method you already use to calculate your applicable taxes. If you don't derive profits, no royalty is due. Royalties are payable to "Project Gutenberg Association/Carnegie-Mellon University" within the 60 days following each date you prepare (or were legally required to prepare) your annual (or equivalent periodic) tax return.
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
The Project gratefully accepts contributions in money, time, scanning machines, OCR software, public domain etexts, royalty free copyright licenses, and every other sort of contribution you can think of. Money should be paid to "Project Gutenberg Association / Carnegie-Mellon University".
*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*
Captain Blood, by Rafael Sabatini
CAPTAIN BLOOD His Odyssey
CONTENTS
I. THE MESSENGER II. KIRKE'S DRAGOONS III. THE LORD CHIEF JUSTICE IV. HUMAN MERCHANDISE V. ARABELLA BISHOP VI. PLANS OF ESCAPE VII. PIRATES VIII. SPANIARDS IX. THE REBELS-CONVICT X. DON DIEGO XI. FILIAL PIETY XII. DON PEDRO SANGRE XIII. TORTUGA XIV. LEVASSEUR'S HEROICS XV. THE RANSOM XVI. THE TRAP XVII. THE DUPES XVIII. THE MILAGROSA XIX. THE MEETING XX. THIEF AND PIRATE XXI. THE SERVICE OF KING JAMES XXII. HOSTILITIES XXIII. HOSTAGES XXIV. WAR XXV. THE SERVICE OF KING LOUIS XXVI. M. DE RIVAROL XXVII. CARTAGENA XXVIII. THE HONOUR OF M. DE RIVAROL XXIX. THE SERVICE OF KING WILLIAM XXX. THE LAST FIGHT OF THE ARABELLA XXXI. HIS EXCELLENCY THE GOVERNOR
CHAPTER I
THE MESSENGER
Peter Blood, bachelor of medicine and several other things besides, smoked a pipe and tended the geraniums boxed on the sill of his window above Water Lane in the town of Bridgewater.
Sternly disapproving eyes considered him from a window opposite, but went disregarded. Mr. Blood's attention was divided between his task and the stream of humanity in the narrow street below; a stream which poured for the second time that day towards Castle Field, where earlier in the afternoon Ferguson, the Duke's chaplain, had preached a sermon containing more treason than divinity.
These straggling, excited groups were mainly composed of men with green boughs in their hats and the most ludicrous of weapons in their hands. Some, it is true, shouldered fowling pieces, and here and there a sword was brandished; but more of them were armed with clubs, and most of them trailed the mammoth pikes fashioned out of scythes, as formidable to the eye as they were clumsy to the hand. There were weavers, brewers, carpenters, smiths, masons, bricklayers, cobblers, and representatives of every other of the trades of peace among these improvised men of war. Bridgewater, like Taunton, had yielded so generously of its manhood to the service of the bastard Duke that for any to abstain whose age and strength admitted of his bearing arms was to brand himself a coward or a papist.
Yet Peter Blood, who was not only able to bear arms, but trained and skilled in their use, who was certainly no coward, and a papist only when it suited him, tended his geraniums and smoked his pipe on that warm July evening as indifferently as if nothing were afoot. One other thing he did. He flung after those war-fevered enthusiasts a line of Horace - a poet for whose work he had early conceived an inordinate affection:
"Quo, quo, scelesti, ruitis?"
And now perhaps you guess why the hot, intrepid blood inherited from the roving sires of his Somersetshire mother remained cool amidst all this frenzied fanatical heat of rebellion; why the turbulent spirit which had forced him once from the sedate academical bonds his father would have imposed upon him, should now remain quiet in the very midst of turbulence. You realize how he regarded these men who were rallying to the banners of liberty - the banners woven by the virgins of Taunton, the girls from the seminaries of Miss Blake and Mrs. Musgrove, who - as the ballad runs - had ripped open their silk petticoats to make
Continue reading on your phone by scaning this QR Code
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the
Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.