Caesar: A Sketch | Page 5

James Anthony Froude
perish prematurely, for want of guidance, by violence or internal disorders. And thus the history of national revolutions is to statesmanship what the pathology of disease is to the art of medicine. The physician cannot arrest the coming on of age. Where disease has laid hold upon the constitution he cannot expel it. But he may check the progress of the evil if he can recognize the symptoms in time. He can save life at the cost of an unsound limb. He can tell us how to preserve our health when we have it; he can warn us of the conditions under which particular disorders will have us at disadvantage. And so with nations: amidst the endless variety of circumstances there are constant phenomena which give notice of approaching danger; there are courses of action which have uniformly produced the same results; and the wise politicians are those who have learnt from experience the real tendencies of things, unmisled by superficial differences, who can shun the rocks where others have been wrecked, or from foresight of what is coming can be cool when the peril is upon them.
For these reasons, the fall of the Roman Republic is exceptionally instructive to us. A constitutional government the most enduring and the most powerful that ever existed was put on its trial, and found wanting. We see it in its growth; we see the causes which undermined its strength. We see attempts to check the growing mischief fail, and we see why they failed. And we see, finally, when nothing seemed so likely as complete dissolution, the whole system changed by a violent operation, and the dying patient's life protracted for further centuries of power and usefulness.
Again, irrespective of the direct teaching which we may gather from them, particular epochs in history have the charm for us which dramas have-- periods when the great actors on the stage of life stand before us with the distinctness with which they appear in the creations of a poet. There have not been many such periods; for to see the past, it is not enough for us to be able to look at it through the eyes of contemporaries; these contemporaries themselves must have been parties to the scenes which they describe. They must have had full opportunities of knowledge. They must have had eyes which could see things in their true proportions. They must have had, in addition, the rare literary powers which can convey to others through the medium of language an exact picture of their own minds; and such happy combinations occur but occasionally in thousands of years. Generation after generation passes by, and is crumbled into sand as rocks are crumbled by the sea. Each brought with it its heroes and its villains, its triumphs and its sorrows; but the history is formless legend, incredible and unintelligible; the figures of the actors are indistinct as the rude ballad or ruder inscription, which may be the only authentic record of them. We do not see the men and women, we see only the outlines of them which have been woven into tradition as they appeared to the loves or hatreds of passionate admirers or enemies. Of such times we know nothing, save the broad results as they are measured from century to century, with here and there some indestructible pebble, some law, some fragment of remarkable poetry which has resisted decomposition. These periods are the proper subject of the philosophic historian, and to him we leave them. But there are others, a few, at which intellectual activity was as great as it is now, with its written records surviving, in which the passions, the opinions, the ambitions of the age are all before us, where the actors in the great drama speak their own thoughts in their own words, where we hear their enemies denounce them and their friends praise them; where we are ourselves plunged amidst the hopes and fears of the hour, to feel the conflicting emotions and to sympathize in the struggles which again seem to live: and here philosophy is at fault. Philosophy, when we are face to face with real men, is as powerless as over the Iliad or King Lear. The overmastering human interest transcends explanation. We do not sit in judgment on the right or the wrong; we do not seek out causes to account for what takes place, feeling too conscious of the inadequacy of our analysis. We see human beings possessed by different impulses, and working out a pre-ordained result, as the subtle forces drive each along the path marked out for him; and history becomes the more impressive to us where it least immediately instructs.
With such vividness, with such transparent clearness, the age stands before us of Cato and Pompey, of Cicero and
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