called from the tomb of a "Pir" hidden in the surrounding growth of prickly pear, is the largest of all the gates and is formed of splendid slabs of dressed stone, each about 8 feet in length. On either side of the gateway are rectangular recesses, which were doubtless used as dwellings or guardrooms by the soldiers in charge of the gate. Thence the pathway divides; one track, intended for cavalry, leading round to the north-western side of the hill, and the other for foot-passengers, composed of rock-hewn steps and passing directly upwards to the Shivabai gate, where still hangs the great teak-door, studded with iron spikes, against which the mad elephants of an opposing force might fruitlessly hurl their titanic bulk.
Leaving for a moment the direct path, which climbs to the crest of the hill past the Buddhist caves and cisterns, we walk along a dainty terrace lined with champak and sandalwood trees and passing under a carved stone gateway halt before the shrine dedicated to Shivaji's family goddess. The dark inner shrine must have once been a Buddhist cave, carved out of the wall of rock; and to it later generations added the outer hall, with its carved pillars of teakwood, which hangs over the very edge of a precipitous descent. Repairs to the shrine are at present in progress; and on the day of our visit two bullocks were tethered in the outer chamber, the materials of the stone-mason were lying here and there among the carved pillars, and a painfully modern stone wall is rising in face of the austere threshold of the inner sanctuary. The lintel of the shrine is surmounted with inferior coloured pictures of Hindu deities, and two printed and tolerably faithful portraits of the great Maratha chieftain. "Thence," in the words of the poet, "we turned and slowly clomb the last hard footstep of that iron crag," and traversing the seventh and last gate reached the ruined Ambarkhana or Elephant-stable on the hill top. It is a picture of great desolation which meets the eye. The fragment of a wall or plinth, covered with rank creepers, an archway of which the stones are sagging into final disruption, and many a tumulus of coarse brown grass are all that remain of the wide buildings which once surrounded the Ambarkhana. The latter, gray and time-scarred, still rears on high its double row of arched vaults; but Vandalism, in the guise of the local shepherd and grass-cutter, has claimed it as her own and has bricked up in the rudest fashion, for the shelter of goats and kine, the pointed stone arches which were once its pride.
Another noteworthy feature of the summit of the hill is a collection of stone cisterns of varying ages, still containing water. The smaller open cisterns, in which the water is thick and covered with slime, are of Musalman origin, but there are one or two in other parts of the hill which clearly date from Buddhist ages and are coeval with the rock-cells. The most important and interesting of all are four large reservoirs, supported on massive pillars and hewn out of the side of the hill, which date from about 1100 A.D., and were in all probability built by the Yadav dynasty of Deogiri. One of them known as Ganga and Jamna is full of clear cool water which, the people say, is excellent for drinking. Here again the hand of the vandal has not been idle; for such names as Gopal, Ramchandra, etc., are scrawled in English characters over the face of the chief reservoir-- the holiday work no doubt of school-boys from Junnar. The presence of these four reservoirs, coupled with other disappearing clues, proves that between the Buddhist era and the date of the Musulman conquest, the hill must have been fortified and held by Hindu chieftains, probably the Yadavas already mentioned. The purely Musulman remains include the Ambarkhana, a prayer-wall or Idga, the skeleton of a mosque, with a delicate flying arch, and a domed tomb. In front of the prayer wall still stands the stone pulpit from which the moulvis of the fortress preached and intoned the daily prayers; but neither the prayer-wall nor the mosque have withstood the attacks of time as bravely as the tomb. For here scarce a stone has become displaced, and the four pointed arches which rise upwards to the circular dome are as unblemished as on the day when the builder gazed upon his finished work and found it good. The Gazetteer speaks of it as a man's tomb; but the flat burial-slab within the arches points to it being a woman's grave; and local tradition declares that it is the body of the mother of one Daulat Khan which lies here. Had those she left behind
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