Bruges and West Flanders | Page 4

George W. T. Omond
Charles the Bald, King of the Franks, at this crisis called to his aid the strong arm of Baldwin, a Flemish chief of whose ancestry we know little, but who soon became famous as Baldwin Bras-de-Fer--Baldwin of the Iron Arm, so called because, in peace or war, he was never seen without his coat of mail. This grim warrior had fallen in love with the daughter of Charles the Bald, Judith, who had been already twice married, first to the Saxon King Ethelwulf (after the death of his first wife Osberga, mother of Alfred the Great) and secondly to Ethelbald, on whose death she left England and went to live at Senlis. Baldwin persuaded the Princess to run away with him; and they were married without the knowledge of her father, to escape whose vengeance the culprits fled to Rome. Pope Nicholas I. brought about a reconciliation; and Charles not only pardoned his son-in-law, but appointed him ruler of Flanders under the title of Marquis, which was afterwards changed into that of Count. It is to the steel-clad Baldwin Bras-de-Fer that the Counts of Flanders trace the origin of their title; and he was, moreover, the real founder of that Bruges which rose to such glory in the Middle Ages, and is still, though fallen from its high estate, the picturesque capital of West Flanders, whither artists flock to wander about amidst the canals and bridges, the dismantled ramparts, the narrow streets with their curious houses, and the old buildings which bear such eloquent testimony to the ruin which long ago overtook what was once an opulent and powerful city.
When the wrath of his father-in-law had been appeased, Baldwin, now responsible for the defence of Flanders, came to Bruges with his wife, and there established his Court. But the old burg, it seems, was not thought capable of holding out against the Normans, who could easily land on the banks of the Zwijn; and Baldwin, therefore, set about building a new stronghold on the east side of the old burg, and close to it. It was surrounded partly by the main stream of the Roya, and partly by backwaters flowing from it. Here he built a fortress for himself and his household, a church dedicated to St. Donatian, a prison, and a 'ghiselhuis,' or house for the safe keeping of hostages. The whole was enclosed by walls, built close to the edge of the surrounding waters.
The Roya is now vaulted over where it ran along the west side of Baldwin's stronghold, separating it from the original burg, and the watercourses which defended it on the north and east are filled up; but the stream on the south still remains in the shape of the canal which skirts the Quai des Marbriers, from which a bridge leads by a narrow lane, called the Rue de l'?ne Aveugle, under an arch of gilded stonework, into the open space now known as the Place du Bourg. Here we are at the very heart of Bruges, on the ground where Baldwin's stronghold stood, with its four gates and drawbridges, and the high walls frowning above the homes of the townsmen clustering round them. The aspect of the place is completely changed since those early days. A grove of chestnut-trees covers the site of the Church of St. Donatian; not a stone remains of Bras-de-Fer's rude palace; and instead of the prison and the hostage-house, there are the H?tel de Ville, now more than five hundred years old, from whose windows the Counts of Flanders swore obedience to the statutes and privileges of the town, the Palais de Justice, and the dark crypt beneath the chapel which shelters the mysterious Relic of the Holy Blood.
[Illustration: BRUGES. Rue de l'?ne Aveugle (showing end of Town Hall and Bridge connecting it with Palais de Justice).]
In summer it is a warm, quiet, pleasant spot. Under the shade of the trees, near the statue of Van Eyck, women selling flowers sit beside rows of geraniums, roses, lilies, pansies, which give a touch of bright colour to the scene. Artists from all parts of Europe set up their easels and paint. Young girls are gravely busy with their water-colours. Black-robed nuns and bare-footed Carmelites pass silently along. Perhaps some traveller from America opens his guide-book to study the map of a city which had risen to greatness long before Columbus crossed the seas. A few English people hurry across, and pass under the archway of the Rue de l'?ne Aveugle on the way to their tennis-ground beyond the Porte de Gand. The sunshine glitters on the gilded fa?ade of the Palais de Justice, and lights up the statues in their niches on the front of the H?tel de Ville. There is no traffic, no noise. Everything is still and peaceful.
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