Bruges and West Flanders | Page 9

George W. T. Omond
in his hand. Many notable persons who were present, one of them the Bishop of Lincoln, testified to this event!
Other miracles wrought through the agency of this relic are recorded. A child which had been born dead was taken to the shrine, and came to life after three days. A young girl who had suffered for twenty months from an issue of blood, and for whom the doctors could do nothing, was cured by the application of a piece of cloth which had been used to cover the relic. Another girl who had been paralyzed for a long time, being carried into the Chapel of St. Basil, was restored to complete strength the moment she kissed the crystal tube. In December, 1689, a fire broke out in the Bourg, and threatened to destroy the H?tel de Ville; but a priest brought forth the tube containing the relic, and held it up before the flames, which were instantly extinguished. These and many other similar miracles, confirmed by the oath of witnesses and received by the Church at the present day as authentic, make the relic an object of profound devotion to the people of Bruges and the peasants of the surrounding country, who go in crowds to bow before it twice every Friday, when it is exhibited for public worship.
It was nearly lost on several occasions in the days of almost constant war, and during the French Revolution it was concealed for some years in the house of a private citizen. The Chapel of St. Basil suffered from the disturbed condition of the country, and when Napoleon came to Bruges in 1810 it was such a complete wreck that the magistrates were on the point of sweeping it away altogether. But Napoleon saved it, declaring that when he looked on the ruins he fancied himself once more amongst the antiquities of Egypt, and that to destroy them would be a crime. Four years after the Battle of Waterloo the relic was brought out from its hiding-place, and in 1856 the chapel was restored from the designs of two English architects, William Brangwyn and Thomas Harper King.[*]
[Footnote *: Gilliat-Smith, The Story of Bruges, p. 103.]
On the first Monday after the 2nd of May every year the town of Bruges is full of strangers, who have come to witness the celebrated 'Procession of the Holy Blood,' which there is good reason to believe has taken place annually (except during the French Revolution) for the last 755 years.
Very early in the day a Mass is celebrated in the Upper Chapel of the Holy Blood, which is crowded to the doors. In the crypt, or lower chapel, where many people are kneeling before the sacred images, the gloom, the silence, the bent figures dimly seen in the faint yellow light of a few tapers, make up a weird scene all the morning till about nine o'clock, when the relic, in its 'chasse,' or tabernacle, is carried to the Cathedral of St. Sauveur, and placed on the high altar, while a pontifical Mass is celebrated by one of the Bishops. When that is done, the procession starts on its march along the chief thoroughfares of the town. The houses are decorated with flags, and candles burn in almost every window. Through the narrow streets, between crowds of people standing on the pavements or looking down from the windows, while the church bells ring and wreaths of incense fill the air, bands of music, squadrons of cavalry, crucifixes, shrines, images, the banners of the parishes and the guilds, heralds in their varied dresses, bareheaded pilgrims from England, France, and other countries, pages, maidens in white, bearing palms, or crowns of thorn, or garlands, priests with relics, acolytes and chanting choristers, pass slowly along. The buffoonery of the Middle Ages, when giants, ballet-dancers, and mythological characters figured in the scene, has been abandoned; but Abraham and Isaac, King David and King Solomon, Joseph and the Virgin Mary, the Magi, and many saints and martyrs, walk in the long procession, which is closed by the Bishops and clergy accompanying the gorgeous shrine containing the small tube of something red like blood, before which all the people sink to the ground, and remain kneeling till it has passed.
The proceedings of the day end with a benediction at an altar erected in front of the H?tel de Ville. The Bourg is filled from side to side with those who have taken part in the procession, and by thousands of spectators who have followed them from all parts of the town to witness the closing scene. The crowd gathers under the trees and along the sides of the square, the centre of which, occupied by the processionists, is a mass of colour, above which the standards and images which have been carried
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