Book-Lovers, Bibliomaniacs and Book Clubs | Page 2

Henry H. Harper
should be remembered, however, that one possessing a fondness for books is not necessarily a bibliomaniac. There is as much difference between the inclinations and taste of a bibliophile and a bibliomaniac as between a slight cold and the advanced stages of consumption. Some one has said that "to call a bibliophile a bibliomaniac is to conduct a lover, languishing for his maiden's smile, to an asylum for the demented, and to shut him up in the ward for the incurables." Biblio relates to books, and mania is synonymous with madness, insanity, violent derangement, mental aberration, etc. A bibliomaniac, therefore, might properly be called an insane or crazy bibliophile. It is, however, a harmless insanity, and even in its worst stages it injures no one. Rational treatment may cure a bibliomaniac and bring him (or her) back into the congenial folds of bibliophilism, unless, perchance, the victim has passed beyond the curative stages into the vast and dreamy realms of extra-illustrating, or "grangerizing." People usually have a horror of insane persons, and one might well beware of indulging a taste for books, if there were any reasonable probability that this would lead to mental derangement. There could be furniture-maniacs, rug-maniacs, and china-maniacs just as well as book-maniacs, but people do not generally hesitate to purchase furniture, rugs, and china for fear of going crazy on the subject, and no more reason is there why rational persons should hesitate to make a collection of good books for a library, for fear of being called bibliomaniacs. In Sesame and Lilies Ruskin says: "If a man spends lavishly on his library, you call him mad--a bibliomaniac. But you never call one a horse-maniac, though men ruin themselves every day by their horses, and you do not hear of people ruining themselves by their books."
This is pre?minently the age of collectors, and scarcely a week passes without the discovery of some new dementia in this direction. Only a few days ago I read of a new delirium which threatens disaster to the feline progeny; it may be called the cat-tail mania, seeing that its victims possess an insatiable desire for amputating and preserving the caudal appendages of all the neighborhood cats. A self-confessed member of this cult was recently arrested in one of the eastern States.
There are several species of bibliophiles; there are many species of bibliomaniacs. Some admire books for what they contain; others for their beautiful type, hand-made paper, artistic illustrations, ample margins, untrimmed edges, etc.; and there are others who attach more importance to the limited number of copies issued than to either the contents or workmanship.
If a book is to attain any considerable commercial value and increase in worth year after year, it is of first importance that the number of copies issued be actually limited; and the greater the restriction the more likelihood that the monetary value will be steadily enhanced. But it must not be forgotten that the mere "limitation" will not of itself create a furore among judicious book-buyers; the book, or set of books, should rest upon some more secure basis of valuation than that of scarcity.
Dibdin says in his Bibliomania, issued in 1811: "About twelve years ago I was rash enough to publish a small volume of poems, with my name affixed. They were the productions of my juvenile years; and I need hardly say at this period how ashamed I am of their authorship. The monthly and analytical reviews did me the kindness of just tolerating them, and of warning me not to commit any future trespass upon the premises of Parnassus. I struck off five hundred copies, and was glad to get rid of half of them as wastepaper; the remaining half has been partly destroyed by my own hands, and has partly mouldered away in oblivion amidst the dust of booksellers' shelves. My only consolation is that the volume is exceedingly rare!"
The contents, first to be considered, should be worthy of preservation; next in importance is the selection of appropriate type, and the size and style of page, which should be determined by the nature of the work and the period in which it was written. The size of the book and the margins of the page must be carefully considered in order to harmonize with the text-page. In choosing illustrations it is important to determine whether they should be ornate and illustrative, or classic and emblematical in design. The paper should be handmade, to order, and of such correct size as not to lose the deckle edges in cutting; and the printing should be done in "forms" of not more than eight. The paper should be scientifically moistened before printing, and the ink allowed several weeks in which to dry before handling the printed sheets. The bindings should harmonize with interiors,
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