Biographia Epistolaris, vol 1 | Page 4

of Coleridge is that in which his letters are made the main source of the narrative. A Biographia Epistolaris is what we want of such a man.
Coleridge's letters are often bizarre in construction and quite regardless of the conventions of style, and abound in the most curious freaks of emphasis and imagery. They resemble the letters of Cowper in that they were not written for publication; and, like Cowper's, they have a character of their own. But they far surpass the epistles of the poet of Olney in spiritual vision and intellectuality. The eighteenth century, from Pope and Swift down to Cowper, is extremely rich in letter-writing. Bolingbroke, Lord Chesterfield, Lady Mary Wortley Montagu, Gray, Mason, Johnson, Beattie, Burns, and Gibbon, among literary personages, have contributed to the great Epistolick Art, as Dr. Johnson called it; and this list does not include the letters of the politicians, Horace Walpole, Junius, and others. The eighteenth century, in fact, was a letter-writing age; and while the bulk of the poetry of its 300 poets, with the exception of a few masterpieces of monumental quality, has gradually gone out of fashion, its letters have risen into greater repute. Even among the poets whose verse is still read there is a hesitation in public opinion as to whether the verses or letters are superior. There are readers not a few who would not scruple to place Cowper's letters above his poems, who believe that Gray's letters are much more akin to the modern spirit than the "Elegy" and the "Ode to Eton College", and who think that Swift's fly-leaves to his friends will outlive the fame of "Gulliver" and the "Tale of a Tub".
Coleridge, who stands between the eighteenth and the nineteenth centuries, was, like the poets of the former age, a multiform letter-writer. He was often seized with letter-writing when unable to write poetry or execute those unpublished masterpieces in the composition of some of which he was engaged.
Coleridge's letters are of the utmost importance as a part of the literature of the opening of the nineteenth century. It is in the letters that we see better than elsewhere the germs of the speculations which afterwards came to fruition between 1817 and 1850, when the poetical and critical principles of the Lake School gradually took the place of the Classicism of the eighteenth century, and the theology of Broad Churchism began to displace the old theology, and the school of Paley in Evidences and Locke in Philosophy gave way before the inroad of Transcendentalism.
As the record of the phases of an intellectual development the letters of Coleridge stand very high; and, indeed, I do not know anything equal to them except it be the "Journal of Amiel".
The resemblance between Coleridge and Amiel is very striking. Both valetudinarians and barely understood by the friends with whom they came into contact, they took refuge in the inner shrine of introspection, and clothed the most abstruse ideas in the most beautiful forms of language and imagery that is only not poetry because it is not verse. While one wrote the story of his own intellectual development in secret and retained the record of it hidden from all eyes, the other scattered his to the winds in the shape of letters, which thus, widely distributed, kept his secret until they were gathered together by later hands. The letters of Coleridge as a collection is one of the most engaging psychological studies of the history of an individual mind.
The text of the letters in the present volume is reproduced from the original sources, the "Biographical Supplement", Cottle, Gillman, Allsop, and the "Life and Correspondence of Robert Southey". Fuller texts of some of the letters will be found in "Letters of S. T. C." of 1895, Litchfield's "Tom Wedgwood", and other recent publications. One of the objects of the present work is to preserve the text of the letters as presented in these authentic sources of the life of Coleridge.
Letters Nos. 44, 45, and 46, from "Charles Lamb and the Lloyds", by Mr. E. V. Lucas (Smith, Elder and Co.); No. 130 from "Anima Poetae" (W. Heinemann), are printed here by arrangement with the poet's grandson, Ernest Hartley Coleridge, Esq., to whom my sincere thanks are also due for his kindness in reading the proofs. Mr. Coleridge, of course, is not responsible for any of the opinions expressed in this work; but he has taken great pains in putting me right regarding certain views of others who had written on Coleridge, and also on some of the mistakes made by Henry Nelson Coleridge and Sara Coleridge, who had insufficient data on the matters on which they wrote, and definite information on which, indeed, could not be ascertainable in 1847. Coming from Mr. Coleridge--the chief living authority on the life,