Bibliomania in the Middle Ages | Page 4

Frederick Somner Merryweather
for show. These methods of binding were mostly applied to small books intended for the pocket; the workmanship was rough, but the binding was strong and serviceable."
The book of Mr. Merryweather, here reprinted, is thought worthy of preservation in a series designed for the library of the booklover. Its publication followed shortly after that of the works of Digby and Maitland, but shows much original research and familiarity with early authorities; and it is much more than either of these, or of any book with which we are acquainted, a plea in defense of bibliomania in the middle ages. Indeed the charm of the book may be said to rest largely upon the earnestness with which he takes up his self-imposed task. One may fancy that after all he found it not an easy one; in fact his "Conclusion" is a kind of apology for not having made out a better case. But this he believes he has proven, "that with all their superstition, with all their ignorance, their blindness to philosophic light--the monks of old were hearty lovers of books; that they encouraged learning, fostered it, and transcribed repeatedly the books which they had rescued from the destruction of war and time; and so kindly cherished and husbanded them as intellectual food for posterity. Such being the case, let our hearts look charitably upon them; and whilst we pity them for their superstition, or blame them for their pious frauds, love them as brother men and workers in the mines of literature."
Of the author himself little can be learned. A diligent search revealed little more than the entry in the London directory which, in various years from 1840 to 1850, gives his occupation as that of bookseller, at 14 King Street, Holborn. Indeed this is shown by the imprint of the title-page of Bibliomania, which was published in 1849. He published during the same year Dies Dominic?, and in 1850 Glimmerings in the Dark, and Lives and Anecdotes of Misers. The latter has been immortalized by Charles Dickens as one of the books bought at the bookseller's shop by Boffin, the Golden Dustman, and which was read to him by the redoubtable Silas Wegg during Sunday evenings at "Boffin's Bower."[6]
FOOTNOTES:
[1] Hallam, Henry. "Introduction to the Literature of Europe." 4 vols. London.
[2] Digby, Kenelm. "Mores Catholici; or Ages of Faith." 3 vols. London, 1848.
[3] Maitland, S. R. "The Dark Ages; a Series of Essays Intended to Illustrate the State of Religion and Literature in the Ninth, Tenth, Eleventh and Twelfth Centuries." London, 1845.
[4] Putnam, George Haven. "Books and their Makers during the Middle Ages; a Study of the Conditions of the Production and Distribution of Literature from the Fall of the Roman Empire to the Close of the Seventeenth Century."
[5] Lacroix, Paul. "Arts of the Middle Ages." Our author, however (vide page 58, note), quotes the accounts of the Church of Norwich to show that parchments sold late in the thirteenth century at about 1 d. per sheet; but Putnam and other writers state that up to that time it was a very costly commodity.
[6] Dickens's Mutual Friend.
CHAPTER I.
Introductory Remarks--Monachism--Book Destroyers--Effects of the Reformation on Monkish Learning, etc.
In recent times, in spite of all those outcries which have been so repeatedly raised against the illiterate state of the dark ages, many and valuable efforts have been made towards a just elucidation of those monkish days. These labors have produced evidence of what few anticipated, and some even now deny, viz., that here and there great glimmerings of learning are perceivable; and although debased, and often barbarous too, they were not quite so bad as historians have usually proclaimed them. It may surprise some, however, that an attempt should be made to prove that, in the olden time in "merrie Englande," a passion which Dibdin has christened Bibliomania, existed then, and that there were many cloistered bibliophiles as warm and enthusiastic in book collecting as the Doctor himself. But I must here crave the patience of the reader, and ask him to refrain from denouncing what he may deem a rash and futile attempt, till he has perused the volume and thought well upon the many facts contained therein. I am aware that many of these facts are known to all, but some, I believe, are familiar only to the antiquary--the lover of musty parchments and the cobwebbed chronicles of a monastic age. I have endeavored to bring these facts together--to connect and string them into a continuous narrative, and to extract from them some light to guide us in forming an opinion on the state of literature in those ages of darkness and obscurity; and here let it be understood that I merely wish to give a fact as history records it. I will not commence by saying the Middle
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