Bells Cathedrals: The Priory Church of St. Bartholomew-the-Great, Smithfield | Page 4

worth quoting, as it expressly includes Bartholomew Fair among the privileges conveyed, though it is clear from the terms of the instrument that a fair had previously been held in the open space at Smithfield on the Saint's anniversary. Even before the accession of Henry I there had been a market on the spot, known as "the King's Market" when the ground was allotted to Rahere. (Vide "Vetusta Monumenta," vol. ii.)
I grant also my firm peace to all persons coming to and returning from the fair which is wont to be celebrated in that place at the Feast of St. Bartholomew; and I forbid any one of the royal officials to send to implead any one, or without the consent of the Canons on those three days--to wit, the eve of the feast, the feast itself, and the day following--to demand customary dues from them.
The observance was afterwards extended to a double octave of fourteen days, and included all kinds of shows and entertainments, theatrical, conjuring, and acrobatic performances, in addition to the traffic in cloth-stuffs, horses and cattle, which gave the fair its commercial importance. The stalls, or booths, in which the portable goods were exposed for sale, were held within the monastery walls, the gates of which were locked at night, and a watch kept over the enclosure.[8]
Rahere died on 20th September, 1144, and was buried in the church, where his tomb occupies the usual place for Founders on the north side of the sanctuary, surrounded by his magnificent Norman work in the choir, with the ambulatory beyond it, and extending upwards to the arcading of the triforium. The eastern part of the clerestory is a modern reproduction of that which superseded Rahere's; but, with this exception, the interior of the choir was probably much the same originally as it is (restored) to-day.
There was, however, a central tower, and, if the design on the twelfth-century Priory seal is to be trusted, a high circular turret at each end of the exterior.[9]
Thomas of St. Osyth, the second Prior (d. 1174), erected the transepts and the easternmost bays of the nave, all of which bear signs of the architectural transition. The nave was probably completed during the next half-century, in the Early-English (then superseding the heavier Norman) style, as may be inferred from the surviving western gateway, and the mutilated columns which remain within the building at the western end.
[Illustration: THE NORTH SIDE OF THE CHOIR FROM THE TRIFORIUM E. Scamell. Photo.]
Perpendicular work was introduced early in the fifteenth century, when Roger de Walden, Bishop of London (1405-1406), built a chantry-chapel to the north-east of the choir, and inserted a new clerestory, in the then fashionable style, in place of the original. He also made a considerable alteration in the chancel by substituting a square east-end for the circular apse, part of which was taken down and used as building material for the innovation. But de Walden's work was cut short by his death, when he had scarcely held the See of London for two years, and was buried in his Chapel at St. Bartholomew's, instead of in the Cathedral Church like most of his predecessors.
The Lady Chapel, with the crypt beneath it, dates from about 1410, when also the central tower was probably rebuilt, and decorative additions were made to the Founder's tomb, in the shape of a canopy and panelling. In the first part of the next century Prior Bolton (1505-32) inserted the Oriel window on the southern side of the choir-triforium and the doorway in the south ambulatory, both of which bear his sculptured rebus--a bolt, or arrow, driven through a tun. In 1539 his successor, Robert Fuller, the last of the Augustinian Priors, surrendered the entire property to Henry VIII, in compliance with the Act of Dissolution, its value having been already ascertained in the twenty-sixth year of the King's reign. The exact figures are given by Dugdale as follows:
Summa totalis hujus monasterii. ￡773 0s. 1?d. " " reprisarum ￡79 10s. 3?d. --------------------------- Et remanet clare ￡693 9s. 10?d. ---------------------------
[Illustration: INTERIOR OF THE CHOIR From a print of 1822 T. H. Shepherd del. Howlett sc.]
For many years before the dissolution of the monasteries the system on which they rested had been gradually undermined by the spread of the Reformation, accompanied by a growing conviction that the religious communities had not only outlived their usefulness, and to a great extent departed from the high standard of their founders, but that their enormous wealth had given them an influence far beyond that of any other institution, or combination of institutions, in the kingdom, and brought them into formidable rivalry with the State itself--the more dangerous in proportion to their devoted adherence to the Papacy, with which the State was in collision. By whatever unworthy motives Henry VIII may