Basil

ﵢ
Basil, by Wilkie Collins

The Project Gutenberg Etext of Basil, by Wilkie Collins #28 in our series by Wilkie Collins
Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg file.
We encourage you to keep this file, exactly as it is, on your own disk, thereby keeping an electronic path open for future readers.
Please do not remove this.
This header should be the first thing seen when anyone starts to view the etext. Do not change or edit it without written permission. The words are carefully chosen to provide users with the information they need to understand what they may and may not do with the etext. To encourage this, we have moved most of the information to the end, rather than having it all here at the beginning.
**Welcome To The World of Free Plain Vanilla Electronic Texts**
**Etexts Readable By Both Humans and By Computers, Since 1971**
*****These Etexts Were Prepared By Thousands of Volunteers!*****
Information on contacting Project Gutenberg to get etexts, and further information, is included below. We need your donations.
The Project Gutenberg Literary Archive Foundation is a 501(c)(3) organization with EIN [Employee Identification Number] 64-6221541 Find out about how to make a donation at the bottom of this file.

Title: Basil
Author: Wilkie Collins
Edition: 10
Language: English
Character set encoding: ASCII
Release Date: November, 2003 [Etext #4605] [Yes, we are more than one year ahead of schedule] [This file was first posted on February 17, 2002]
The Project Gutenberg Etext of Basil, by Wilkie Collins *This file should be named bslwc10.txt or bslwc10.zip*
Corrected EDITIONS of our etexts get a new NUMBER, bslwc11.txt VERSIONS based on separate sources get new LETTER, bslwc10a.txt
Etext by James Rusk, [email protected] Wilkie Collins web site: http://www.blackmask.com/jrusk/wcollins
Project Gutenberg Etexts are often created from several printed editions, all of which are confirmed as Public Domain in the US unless a copyright notice is included. Thus, we usually do not keep etexts in compliance with any particular paper edition.
The "legal small print" and other information about this book may now be found at the end of this file. Please read this important information, as it gives you specific rights and tells you about restrictions in how the file may be used.

Basil
by Wilkie Collins

LETTER OF DEDICATION.
TO CHARLES JAMES WARD, ESQ.
IT has long been one of my pleasantest anticipations to look forward to the time when I might offer to you, my old and dear friend, some such acknowledgment of the value I place on your affection for me, and of my grateful sense of the many acts of kindness by which that affection has been proved, as I now gladly offer in this place. In dedicating the present work to you, I fulfil therefore a purpose which, for some time past, I have sincerely desired to achieve; and, more than that, I gain for myself the satisfaction of knowing that there is one page, at least, of my book, on which I shall always look with unalloyed pleasure--the page that bears your name.
I have founded the main event out of which this story springs, on a fact within my own knowledge. In afterwards shaping the course of the narrative thus suggested, I have guided it, as often as I could, where I knew by my own experience, or by experience related to me by others, that it would touch on something real and true in its progress. My idea was, that the more of the Actual I could garner up as a text to speak from, the more certain I might feel of the genuineness and value of the Ideal which was sure to spring out of it. Fancy and Imagination, Grace and Beauty, all those qualities which are to the work of Art what scent and colour are to the flower, can only grow towards heaven by taking root in earth. Is not the noblest poetry of prose fiction the poetry of every-day truth?
Directing my characters and my story, then, towards the light of Reality wherever I could find it, I have not hesitated to violate some of the conventionalities of sentimental fiction. For instance, the first love-meeting of two of the personages in this book, occurs (where the real love-meeting from which it is drawn, occurred) in the very last place and under the very last circumstances which the artifices of sentimental writing would sanction. Will my lovers excite ridicule instead of interest, because I have truly represented them as seeing each other where hundreds of other lovers have first seen each other, as hundreds of people will readily admit when they read the passage to which I refer? I am sanguine enough to think not.
So again, in certain parts of this book where I have attempted to excite the suspense or pity of the reader, I have