Bardelys the Magnificent | Page 3

Rafael Sabatini
author of the work, although tilde (~), asterisk (*) and underline (_) characters may be used to convey punctuation intended by the author, and additional characters may be used to indicate hypertext links; OR
[*] The etext may be readily converted by the reader at no expense into plain ASCII, EBCDIC or equivalent form by the program that displays the etext (as is the case, for instance, with most word processors); OR
[*] You provide, or agree to also provide on request at no additional cost, fee or expense, a copy of the etext in its original plain ASCII form (or in EBCDIC or other equivalent proprietary form).
[2] Honor the etext refund and replacement provisions of this "Small Print!" statement.
[3] Pay a trademark license fee to the Project of 20% of the net profits you derive calculated using the method you already use to calculate your applicable taxes. If you don't derive profits, no royalty is due. Royalties are payable to "Project Gutenberg Association/Carnegie-Mellon University" within the 60 days following each date you prepare (or were legally required to prepare) your annual (or equivalent periodic) tax return.
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
The Project gratefully accepts contributions in money, time, scanning machines, OCR software, public domain etexts, royalty free copyright licenses, and every other sort of contribution you can think of. Money should be paid to "Project Gutenberg Association / Carnegie-Mellon University".
*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*

BARDELYS THE MAGNIFICENT
Being on Account of the Strange Wooing pursued by the Sieur Marcel de Saint-Pol; Marquis of Bardelys, and of the things that in the course of it befell him in Languedoc, in the year of the Rebellion
BY RAFAEL SABATINI

CONTENTS I. THE WAGER II. THE KING'S WISHES III. RENT: DE LESPERON IV. A MAID IN THE MOONLIGHT V. THE VICOMTE DE LAVEDAN VI. IN CONVALESCENCE VII. THE HOSTILITY OF SAINT-EUSTACHE VIII. THE PORTRAIT IX. A NIGHT ALARM X. THE RISEN DEAD XI. THE KING'S COMMISSIONER XII. THE TRIBUNAL OF TOULOUSE XIII. THE ELEVENTH HOUR XIV. EAVESDROPPING XV. MONSIEUR DE CHATELLERAULT IS ANGRY XVI. SWORDS XVII. THE BABBLING OF GANYMEDE XVIII. SAINT-EUSTACHE IS OBSTINATE XIX. THE FLINT AND THE STEEL XX. THE "BRAVI" AT BLAGNAC XXI. LOUIS THE JUST XXII. WE UNSADDLE

BARDELYS THE MAGNIFICENT
CHAPTER I
THE WAGER
Speak of the Devil," whispered La Fosse in my ear, and, moved by the words and by the significance of his glance, I turned in my chair.
The door had opened, and under the lintel stood the thick-set figure of the Comte de Chatellerault. Before him a lacquey in my escutcheoned livery of red-and-gold was receiving, with back obsequiously bent, his hat and cloak.
A sudden hush fell upon the assembly where a moment ago this very man had been the subject of our talk, and silenced were the wits that but an instant since had been making free with his name and turning the Languedoc courtship - from which he was newly returned with the shame of defeat - into a subject for heartless mockery and jest. Surprise was in the air for we had heard that Chatellerault was crushed by his ill-fortune in the lists of Cupid, and we had not looked to see him joining so soon a board at which - or so at least I boasted - mirth presided.
And so for a little space the Count stood pausing on my threshold, whilst we craned our necks to contemplate him as though he had been an object for inquisitive inspection. Then a smothered laugh from the brainless La Fosse seemed to break the spell. I frowned. It was a climax of discourtesy whose impression I must at all costs efface.
I leapt to my feet, with a suddenness that sent my chair gliding a full half-yard along the glimmering parquet of the floor, and in two strides I had reached the Count and put forth my hand to bid him welcome. He took it with a leisureliness that argued sorrow. He advanced into the full blaze of the candlelight, and fetched a dismal sigh from the depths of his portly bulk.
"You are surprised to see me, Monsieur le Marquis," said he, and his tone seemed to convey an apology for his coming - for his very existence almost.
Now Nature had made my Lord of Chatellerault as proud and arrogant as Lucifer - some resemblance to which illustrious personage his downtrodden retainers were said to detect in the lineaments of his swarthy face. Environment had added to that store of insolence wherewith Nature had equipped him, and the King's favour - in which he was my rival - had gone yet further to mould the peacock attributes of his vain soul. So that this wondrous humble tone of his gave me pause; for to me it seemed that not even a courtship gone awry
Continue reading on your phone by scaning this QR Code

 / 97
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.