your father.
"'Bhagabati, you are too hard on your employee!' His words were the same as those he had used two days before in the Gorakhpur field. He added, 'I am glad that you have allowed Abinash to visit me, and that you and your wife have accompanied him.'
"To their joy, he initiated your parents in the spiritual practice of KRIYA YOGA. {FN1-10} Your father and I, as brother disciples, have been close friends since the memorable day of the vision. Lahiri Mahasaya took a definite interest in your own birth. Your life shall surely be linked with his own: the master's blessing never fails."
Lahiri Mahasaya left this world shortly after I had entered it. His picture, in an ornate frame, always graced our family altar in the various cities to which Father was transferred by his office. Many a morning and evening found Mother and me meditating before an improvised shrine, offering flowers dipped in fragrant sandalwood paste. With frankincense and myrrh as well as our united devotions, we honored the divinity which had found full expression in Lahiri Mahasaya.
His picture had a surpassing influence over my life. As I grew, the thought of the master grew with me. In meditation I would often see his photographic image emerge from its small frame and, taking a living form, sit before me. When I attempted to touch the feet of his luminous body, it would change and again become the picture. As childhood slipped into boyhood, I found Lahiri Mahasaya transformed in my mind from a little image, cribbed in a frame, to a living, enlightening presence. I frequently prayed to him in moments of trial or confusion, finding within me his solacing direction. At first I grieved because he was no longer physically living. As I began to discover his secret omnipresence, I lamented no more. He had often written to those of his disciples who were over-anxious to see him: "Why come to view my bones and flesh, when I am ever within range of your KUTASTHA (spiritual sight)?"
I was blessed about the age of eight with a wonderful healing through the photograph of Lahiri Mahasaya. This experience gave intensification to my love. While at our family estate in Ichapur, Bengal, I was stricken with Asiatic cholera. My life was despaired of; the doctors could do nothing. At my bedside, Mother frantically motioned me to look at Lahiri Mahasaya's picture on the wall above my head.
"Bow to him mentally!" She knew I was too feeble even to lift my hands in salutation. "If you really show your devotion and inwardly kneel before him, your life will be spared!"
I gazed at his photograph and saw there a blinding light, enveloping my body and the entire room. My nausea and other uncontrollable symptoms disappeared; I was well. At once I felt strong enough to bend over and touch Mother's feet in appreciation of her immeasurable faith in her guru. Mother pressed her head repeatedly against the little picture.
"O Omnipresent Master, I thank thee that thy light hath healed my son!"
I realized that she too had witnessed the luminous blaze through which I had instantly recovered from a usually fatal disease.
One of my most precious possessions is that same photograph. Given to Father by Lahiri Mahasaya himself, it carries a holy vibration. The picture had a miraculous origin. I heard the story from Father's brother disciple, Kali Kumar Roy.
It appears that the master had an aversion to being photographed. Over his protest, a group picture was once taken of him and a cluster of devotees, including Kali Kumar Roy. It was an amazed photographer who discovered that the plate which had clear images of all the disciples, revealed nothing more than a blank space in the center where he had reasonably expected to find the outlines of Lahiri Mahasaya. The phenomenon was widely discussed.
A certain student and expert photographer, Ganga Dhar Babu, boasted that the fugitive figure would not escape him. The next morning, as the guru sat in lotus posture on a wooden bench with a screen behind him, Ganga Dhar Babu arrived with his equipment. Taking every precaution for success, he greedily exposed twelve plates. On each one he soon found the imprint of the wooden bench and screen, but once again the master's form was missing.
With tears and shattered pride, Ganga Dhar Babu sought out his guru. It was many hours before Lahiri Mahasaya broke his silence with a pregnant comment:
"I am Spirit. Can your camera reflect the omnipresent Invisible?"
"I see it cannot! But, Holy Sir, I lovingly desire a picture of the bodily temple where alone, to my narrow vision, that Spirit appears fully to dwell."
"Come, then, tomorrow morning. I will pose for you."
Again the photographer focused his camera. This time the sacred figure, not cloaked with mysterious
Continue reading on your phone by scaning this QR Code
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the
Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.