Austin and His Friends | Page 6

springtime in a land of dewy lawns, and shady groves, and pools, and rippling streams. Daphnis and Mopsus, Corydon, Alexis, and Amyntas, were all to him real personages, who peopled his solitude, inspired his poetic fancy, and fostered in his imagination the elements of an ideal life where the beauty and purity and freshness of untainted Nature reigned supreme. The accident of his lameness, by incapacitating him for violent exercise out of doors, ministered to the development of this spiritual tendency, and threw him back upon the allurements of a refined idealism. Daphnis became to him the embodiment, the concrete image, of eternal youthhood, of adolescence in the abstract, the attribute of an idealised humanity. To lead the pure Daphnis life of simplicity, stainlessness, communion with beautiful souls, was to lead the highest life. To find one's bliss in sunshine, flowers, and the winds of heaven--in both the physical and moral spheres--was to find the highest bliss. Why should not he, Austin Trevor, cripple as he was, so live the Daphnis life as to be himself a Daphnis?
No wonder a boy like this was voted unsociable. No wonder Sandy and Jock despised him as a muff, and the young ladies deplored his unaccountably elusive ways. The truth was that Austin simply had no use for any of them; his life was complete without them, it contained no niche into which they could ever fit. Lubin was a far more congenial comrade. Lubin never bothered him about football, or cricket, or horse-racing, never worried him with invitations to horrible picnics, never outraged his sensibilities in any way. On the contrary, Lubin rather contributed to his happiness by the care he took of the flowers, and the intelligence he showed in carrying out all Austin's elaborately conveyed instructions. Why, Lubin himself was a sort of Daphnis--in a humble way. But Sandy! No, Austin was not equal to putting up with Sandy.
There was, however, one gentleman in the neighbourhood whom Master Austin was gracious enough to approve. This was a certain Mr Roger St Aubyn, a man of taste and culture, who possessed a very rare collection of fine pictures and old engravings which nobody had ever seen. St Aubyn was, in fact, something of a recluse, a student who seldom went beyond his park gates, and found his greatest pleasure in reading Greek and cultivating orchids. It was by the purest accident that the two came across each other. Austin was lying one afternoon on a bank of wild hyacinths just outside Combe Spinney, lazily admiring the effect of his bright black leg against the bright blue sky, and thinking of nothing in particular. Mr St Aubyn, who happened to be strolling in that direction, was attracted by the unwonted spectacle, and ventured on some good-humoured quizzical remark. This led to a conversation, in the course of which the scholar thought he discovered certain original traits in the modest observations of the youth. One topic drifted into another, and soon the two were engaged in an animated discussion about pursuits in life. It was in the course of this that Austin let drop the one word--Art.
"What is Art?" queried St Aubyn.
Austin hesitated for some moments. Then he said, very slowly:
"That is a question to which a dozen answers might be given. A whole book would be required to deal with it."
St Aubyn was delighted, both at the reply and at the hesitation that had preceded it.
"And are you an artist?" he enquired.
"I believe I am," replied Austin, very seriously. "Of course one doesn't like to be too confident, and I can't draw a single line, but still----"
"Good again," approved the other. "Here as in everything else all depends upon the definition. What is an artist?"
"An artist," exclaimed Austin, kindling, "is one who can see the beauty everywhere."
"The beauty?" repeated St Aubyn.
"The beauty that exists everywhere, even in ugly things. The beauty that ordinary people don't see," returned Austin. "Anybody can see beauty in what are called beautiful things--light, and colour, and grace. But it takes an artist to see beauty in a muddy road, and dripping branches, and drenching rain. How people cursed and grumbled on that rainy day we had last week; it made me sick to hear them. Now I saw the beauty under the ugliness of it all--the wonderful soft greys and browns, the tiny glints of silver between the leaves, the flashes of pearl and orpiment behind the shifting clouds. Do you know, I even see beauty in this wooden leg of mine, great beauty, though everybody else thinks it perfectly hideous! So that is why I hope I am not wrong in imagining that perhaps I may, really, be in some sense an artist."
For a moment St Aubyn did not speak. "The boy's a great artist," he