Aunt Janes Nieces Out West | Page 5

Edith Van Dyne
I assure you. There are many buildings throughout our larger cities that were erected as cheaply as possible and without a single thought for the safety of their tenants. So many disasters have resulted from this that of late years building inspectors have been appointed in every locality to insist on proper materials and mechanical efficiency in the erection of all classes of buildings. These inspectors, however, cannot tear the old buildings down to see if they are safe, and paint and plaster cover a multitude of sins of unscrupulous builders. Usually the landlord or owner knows well the condition of his property and in many cases refuses to put it into such shape as to insure the safety of his tenants. Greed, false economy and heartless indifference to the welfare of others are unfortunately too prevalent among the wealthy class. No ordinary argument could induce owners to expend money in strengthening or rebuilding their income-producing properties. But I get after them in my picture with a prod that ought to rouse them to action.
"The picture opens with a scene in the interior of a factory. Men, girls and boys are employed. The foreman observes a warning crack in the wall and calls the proprietor's attention to it. In this case the manufacturer is the owner of the building, but he refuses to make repairs. His argument is that the wall has stood for many years and so is likely to stand for many more; it would be a waste of money to repair the old shell. Next day the foreman shows him that the crack has spread and extended along the wall in an alarming manner but still the owner will not act. The workmen counsel together seriously. They dare not desert their jobs, for they must have money to live. They send a petition to the owner, who becomes angry and swears he won't be driven to a useless expense by his own employees. In the next scene the manufacturer's daughter--his only child--having heard that the building was unsafe, comes to her father's office to plead with him to change his mind and make the needed repairs. Although he loves this daughter next to his money he resents her interference in a business matter, and refuses. Her words, however, impress him so strongly that he calls her back from the door to kiss her and say that he will give the matter further thought, for her sake.
"As she leaves the office there is a cry of terror from the factory and the working people come rushing out of the now tottering building. That was when you two young ladies came walking up the street and were dragged out of danger by the foreman of the shop--in other words, by myself. The owner's daughter, bewildered by the confusion, hesitates what to do or which way to turn, and as she stands upon the sidewalk she is crushed by the falling wall, together with several of her father's employees."
"How dreadful!" exclaimed Patsy.
"Of course no one was actually hurt," he hastened to say; "for we used dummy figures for the wall to fall upon. In the final scene the bereaved father suddenly realizes that he has been working and accumulating only for this beloved child--the child whose life he has sacrificed by his miserly refusal to protect his workmen. His grief is so intense that no one who follows the story of this picture will ever hesitate to repair a building promptly, if he learns it is unsafe. Do you now understand the lesson taught, young ladies?"
Mr. Werner's dramatic recital had strongly impressed the two girls, while Uncle John was visibly affected.
"I'm very glad," said the little man fervently, "that none of my money is in factories or other buildings that might prove unsafe. It would make my life miserable if I thought I was in any way responsible for such a catastrophe as you have pictured."
"It seems to me," observed Patsy, "that your story is unnecessarily cruel, Mr. Werner."
"Then you do not understand human nature," he retorted; "or, at least, that phase of human nature I have aimed at. Those indifferent rich men are very hard to move and you must figuratively hit them squarely between the eyes to make them even wink."
They were silent for a time, considering this novel aspect of the picture business. Then Beth asked:
"Can you tell us, sir, when and where we shall be able to see this picture?"
"It will be released next Monday."
"What does that mean?"
"It means that we, as manufacturers, supply certain agencies in all the large cities, who in turn rent our films to the many picture theatres. When a picture is ready, we send copies to all our agencies and set a day when they may release it, or give it
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