Atlantic Monthly, Vol. 9, No. 55, May, 1862 | Page 3

Gulf coast. The combatants are hidden from each other, but under the chieftain's eye the dozen armies are only the squadrons of a single host, their battles only the separate conflicts of a single field, the movements of the whole campaign only the evolutions of a prolonged engagement. The spectacle is a good illustration of the day. Under the magic of progress, war in its essence and vitality is really diminishing, even while increasing in materiel and grandeur. Neither time nor space will permit the old and tedious contests of history to be repeated. Military science has entered upon a new era, nearer than ever to the period when wars shall cease.
But to go on with a few more contrasts of the past with the present. Once men wrote only in symbols, like wedges and arrow-heads, on tiles and bricks, or in hieroglyphic pictures on obelisks and sepulchres,--afterward in crude, but current characters on stone, metal, wax, and papyrus. In a much later age appeared the farthest perfection of the invention: books engrossed on illuminated rolls of vellum, and wound on cylinders of boxwood, ivory, or gold,--and then put away like richest treasures of art. What a difference between perfection then and progress now! To-day the steam printing-press throws out its sheets in clouds, and fills the world with books. Vast libraries are the vaulted catacombs of modern times, in which the dead past is laid away, and the living present takes refuge. The glory of costly scrolls is dimmed by the illustrated and typographical wonders which make the bookstore a gorgeous dream. Knowledge, no longer rare, no longer lies in precarious accumulations within the cells of some poor monk's crumbling brain, but swells up like the ocean, universal and imperishable, pouring into the vacant recesses of all minds as the ocean pours into the hollows under its shore. To-day, newspapers multiplied by millions whiten the whole country every morning, like the hoar-frost; and books, numerous and brilliant as the stars, seem by a sort of astral influence to unseal the latent destinies of many an intellect, as by their illumination they stimulate thought and activity everywhere.
Once art seemed to have reached perfection in the pictures and sculptures of Greece and Rome. Yet now those master-pieces are not only equalled on canvas and in fresco, but reproduced by tens of thousands from graven sheets of copper, steel, and even blocks of wood,--or, if modelled in marble or bronze, are remodelled by hundreds, and set up in countless households as the household gods. It is the glory of to-day that the sun himself has come down to be the rival and teacher of artists, to work wonders and perform miracles in art. He is the celestial limner who shall preserve the authentic faces of every generation from now until the world is no more. He holds the mirror up to Nature, paralyzes the fleeting phantom, by chemical subtilty, on the burnished plate,--and there it is fixed forever. He prepares the optical illusion of the stereoscope, so that through tiny windows we may look as into fairy-land and find sections of this magnificent world modelled in miniature.
Once men imagined the earth to be a flat and limited tract. Now they realize that it is a ponderous ball floating in infinite ether. Once they thought the sky was a solid blue concave, studded with blazing points, an empire of fate, the gold-and-azure floor of the abode of gods and spirits. Now all that is dissolved away; the wandering planets become at will broad disks, like sisters of the moon; and countless millions of stars are now mirrored in the same retina with which the Magi saw the few thousands of the firmament that were visible from the plains of Chaldea.
Once men were aware of nothing in the earth beneath its hills and valleys and teeming soil. Now they walk consciously over the ruins of old worlds; they can decipher the strange characters and read the strange history graven on these gigantic tablets. The stony veil is rent, and they can look inimitable periods back, and see the curious animals which then moved up and down in the earth.
Once a glass bubble was a wonder for magnifying power. Now the lenses of the microscope bring an inverted universe to light. Men can look into a drop and discover an ocean crowded with millions of living creatures, monsters untypified in the visible world, playing about as in a great deep.
Once a Roman emperor prized a mysterious jewel because it brought the gladiators contending in the arena closer to the imperial canopy. Now observatories, with their revolving domes, crown the heights at every centre of civilization, and the mighty telescope, poised on exquisite mechanism, turns infinite space into a Coliseum, brings its invisible luminaries close to