dead, as be came upon the stage. This was his apology for imperfection in his part. Poor Hood had also to unite comedy with tragedy,--not for a night, or a day, or a week, but for months and years. He had to give the comedy to the public, and keep the tragedy to himself; nor could he, if comedy failed him, plead with the public the tragedy of his circumstances. That was nothing to the public. He must give pleasure to the public, and not explanations and excuses. But genius, goodness, many friends, no enemy, the consciousness of imparting enjoyment to multitudes, and to no man wretchedness, a heart alive with all that is tender and gentle, and strong to manful and noble purpose and achievement,--these are grand compensations,--compensations for even more ills than Hood was heir to; and with such compensations Hood was largely blessed. Though his funds were nothing to the bounty of his spirit, yet he did not refuse to himself the blessedness of giving. Want, to his eye of charity, was neither native nor foreign, but _human_; and as human he pitied it always, and, as far as he could, relieved it. While abroad, he was constantly doing acts of beneficence; and the burlesque style with which, in his correspondence, he tries to disguise his own goodness, while using the incidents as items to write about, is one of the most delightful peculiarities in his delightful letters. The inimitable combination of humanity and humor in these passages renders them equal to the best things that Hood has anywhere written. To crown all, Hood had happiness unalloyed in his children and his wife. Mrs. Hood seems to have deserved to the utmost the abounding love which her husband lavished on her. She was not only, as a devoted wife, a cheerer of his heart, but, as a woman of accomplishment and ability, she was a companion for his mind. Her judgment was as clear and sure as her affection was warm and strong. Her letters have often a grave tenderness and an insinuated humor hardly inferior to her husband's. But as she must write from fact and not from fancy, what she writes naturally bears the impression of her cares. Here is a passage from one of her latest letters, which, half sadly, half amusingly, reminds us of Mrs. Primrose and her "I'll-warrant" and "Between-ourselves" manner.
"Hood dines to-day," she writes, "with Doctor Bowring, in Queen Square. He knew him well years ago in 'The London Magazine'; and he wrote, a few days ago, to ask Hood to meet Bright and Cobden on business,--I think, to write songs for the League. I augur good from it. This comes of 'The Song of the Shirt,' of which we hear something continually."
As an instance of her judgment, we may mention that she prophesied at once all the success which followed this same "Song of the Shirt." When read to her in manuscript,--"Now mind, Hood," said she, "mark my words, this will tell wonderfully! It is one of the best things you ever did." Her reference to "The Song" in her letter has a sort of pathetic _na?veté_ in it; it shows that the thought with which she was concerned was practical, not poetical,--not her husband's fame, but her household cares. She was thinking of songs that would turn into substance,--of "notes" that could be exchanged for cash,--of evanescent flame that might be condensed into solid coal, which would, in turn, make the pot boil,--and of music that could be converted into mutton. O ye entranced bards, drunk with the god, seeing visions and dreaming dreams in the third heaven, that is, the third story! O ye voluminous historians, who live in the guilt and glory of the past, and are proud in making the biggest and thickest books for the dust, cobwebs, and moths of the future! O ye commentators, who delight to render obscurity more obscure, and who assume that in a multitude of words, as in a multitude of counsellors, there is wisdom! O ye critics, who vote yourselves the Areopagites of Intellect, whose decrees confer immortality in the Universe of Letters! O all ye that write or scribble,--all ye tribes, both great and small, of pen-drivers and paper-scrapers!--know ye, that, while ye are listening in your imaginative ambition to the praise of the elect or the applause of nations, your wives are often counting the coppers that are to buy the coming meal, alarmed at the approaching rent-day, or trembling in apprehension of the baker's bill.
Hood, in 1840, returned to reside in England during the small remainder of his life. For a few months he edited the "New Monthly," and then, for a few months more, a magazine of his own. But the whole of this period
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