Atlantic Monthly, Vol. 6, No. 37, November, 1860 | Page 3

"New Monthly,"
and then, for a few months more, a magazine of his own. But the whole
of this period was filled with bodily and mental trials, of which it is
painful to read. Yet within this period it was that he wrote some of his
finest things, both laughable and serious. It is, however, to be remarked,
it was now he reached down to that well of tears which lay in the depth
of his nature. Always before, there had been misty exhalations from it,
that oozed up into the sunshine of his fancy, and that took all the shapes
of glisten or of gloom which his Protean genius gave them. In the rapid
eccentricities of cloud and coruscation, the source which supplied to the
varying forms so much of their substance was hidden or unminded. But
now the fountain of thought and tragedy had been readied, whence the
waters of sin and suffering spring forth clear and unalloyed in their own
deep loneliness, and we hear the gush and the murmur of their stream
in such monodies as "The Song of the Shirt," "The Lay of the Laborer,"
and "The Bridge of Sighs."
Hood died in 1845, and was then only forty-six or forty-seven years old.
Alike esteemed by the poor and the rich, both united to consecrate a
monument to his memory. Kindly should we ever think of those who
make our hearts and our tempers bright; who, without pomp of wisdom,
help us to a cheerfulness which no proud philosophy can give; who, in
the motley of checkered mirth and wit, sparkle on the resting-spots of
life. Such men are rare, and as valuable as they are rare. The world
wants them more than it wants heroes and victors: for mirth is better
than massacre; and it is surely better to hear laughter sounding aloud
the jubilee of the heart, than the shout of battle and yell of conquest.
Precious, then, are those whose genius brings pleasure to the bosom
and sunshine to the face; who not only call our thoughts into festive

action, but brighten our affections into generous feeling. Though we
may not loudly celebrate such men, we greatly miss them; and not on
marble monuments, but in our warmest memories, their names continue
fresh. But laugh and make laugh as they may, they, too, have the
destiny of grief; and unto them, as unto all men, come their passages of
tragedy,--the days of evil, the nights of waking, and the need of pity.
When Hood was near his death a pension of a hundred pounds a year
was settled on his wife, at the instance of Sir Robert Peel. The wife, so
soon to become a widow, did not long survive her husband; then, in
1847, the pension was continued to their two orphan children, at the
instance of Lord John Russell. Politics and parties were forgotten, in
gratitude to an earnest lover of his kind; and the people, as well as the
government, in helping to provide for those whom he left behind,
showed that they had not forgotten one whose desire it was to improve
even more than to amuse them. And still we cannot but feel sad that
there should ever have been this need. Nor would there have been, had
Hood had the strength to carry him into the vast reading public which
has arisen since his death, and which it was not his fate to know. "The
income," says his daughter, "which his works now produce to his
children, might then have prolonged his life for many years."
We have written more on the personal relations of Hood than we had
intended; but we have been carried on unwitttingly, while reading the
"Memorials" of him recently published and edited by his children. The
loving worth of the man, as therein revealed, made us slow to quit the
companionship of his character to discuss the qualities of his genius.
We trust that our time has not been misspent, morally or critically; for,
besides the moral good which we gain from the contemplation of an
excellent man, we enjoy also the critical satisfaction of learning that
whatever is best in literature comes out of that which is best in life. We
therefore close this section of our article with a bit of prose and a bit of
poetry, among Hood's "last things,"--personally and pathetically
characteristic of his nature and his genius.
"Dear Moir,[A]
"God bless you and yours, and goodbye! I drop these few lines, as in a
bottle from a ship water-logged and on the brink of foundering, being
in the last stage of dropsical debility; but, though suffering in body,
serene in mind. So, without reversing my union-jack, I await my last

lurch. Till which, believe me, dear Moir,
"Yours