At the Time Appointed | Page 7

A. Maynard Barbour
hotels 'go.' You'll go directly home with me, where you'll find yourself in such good hands you'll think sure you're in your own home, and we'll soon have you all right."
For hours Darrell tossed wearily, unable to sleep. His head throbbed wildly, the racking pain throughout his frame increased, while a raging fire seemed creeping through his veins. Not until long past midnight did he fall into a fitful sleep. Strange fancies surged through his fevered brain, torturing him with their endless repetition, their seeming reality. Suddenly he awoke, bewildered, exhausted, oppressed by a vague sense of impending evil.

Chapter II
A NIGHT'S WORK
For a few seconds Darrell tried vainly to recall what had awakened him. Low, confused sounds occasionally reached his ears, but they seemed part of his own troubled dreams. The heat was intolerable; he raised himself to the open window that he might get a breath of cooler air; his head whirled, but the half-sitting posture seemed to clear his brain, and he recalled his surroundings. At once he became conscious that the train was not in motion, yet no sound of trainmen's voices came through the open window; all was dead silence, and the vague, haunting sense of impending danger quickened.
Suddenly he heard a muttered oath in one of the sections, followed by an order, low, but peremptory,--
"No noise! Hand over, and be quick about it!"
Instantly Darrell comprehended the situation. Peering cautiously between the curtains, he saw, at the forward end of the sleeper, a masked man with a revolver in each hand, while the mirror behind him revealed another figure at the rear, masked and armed in like manner. He heard another order; the man was doing his work swiftly. He thought at once of young Whitcomb, but no sound came from the opposite section, and he sank quietly back upon his pillow.
A moment later the curtains were quickly thrust aside, the muzzle of a revolver confronted Darrell, and the same low voice demanded,--
"Hand out your valuables!"
A man of medium height, wearing a mask and full beard, stood over him. Darrell quietly handed over his watch and purse, noting as he did so the man's hands, white, well formed, well kept. He half expected a further demand, as the purse contained only a few small bills and some change, the bulk of his money being secreted about the mattress, as was his habit; but the man turned with peculiar abruptness to the opposite section, as one who had a definite object in view and was in haste to accomplish it. Darrell, his faculties alert, observed that the section in front of Whitcomb's was empty; he recalled the actions of its occupant on the preceding afternoon, his business later at the telegraph office, and the whole scheme flashed vividly before his mind. The man had been a spy sent out by the band now holding the train, and Whitcomb's money was without doubt the particular object of the hold-up.
Whitcomb was asleep at the farther side of his berth. Leaning slightly towards him, the man shook him, and his first words confirmed Darrell's intuitions,--
"Hand over that money, young man, and no fuss about it, either!"
Whitcomb, instantly awake, gazed at the masked face without a word or movement. Darrell, powerless to aid his friend, watched intently, dreading some rash act on his part to which his impetuous nature might prompt him.
Again he heard the low tones, this time a note of danger in them,--
"No fooling! Hand that money over, lively!"
With a spring, as sudden and noiseless as a panther's, Whitcomb grappled with the man, knocking the revolver from his hand upon the bed. A quick, desperate, silent struggle followed. Whitcomb suddenly reached for the revolver; as he did so Darrell saw a flash of steel in the dim light, and the next instant his friend sank, limp and motionless, upon the bed.
"Fool!" he heard the man mutter, with an oath.
An involuntary groan escaped from Darrell's lips. Slight as was the sound, the man heard it and turned, facing him; the latter was screened by the curtains, and the man, seeing no one, returned to his work, but that brief glance had revealed enough to Darrell that he knew he could henceforth identify the murderer among a thousand. In the struggle the mask had been partially pushed aside, exposing a portion of the man's face. A scar of peculiar shape showed white against the olive skin, close to the curling black hair. But to Darrell the pre-eminently distinguishing characteristic of that face was the eyes. Of the most perfect steel blue he had ever seen, they seemed, as they turned upon him in that intense glance, to glint and scintillate like the points of two rapiers in a brilliant sword play, while their look of concentrated fury and malignity, more demon-like
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