Arthurian Chronicles: Roman de Brut | Page 5

it with strength.' Flew over the [fields] thirty thousand shields, and smote on Colgrim's knights, so that the earth shook again. Brake the broad spears, shivered shields; the Saxish men fell to the ground.... Some they gan wander as the wild crane doth in the moor-fen, when his flight is impaired, and swift hawks pursue after him, and hounds with mischief meet him in the reeds; then is neither good to him nor the land nor the flood; the hawks him smite, the hounds him bite, then is the royal fowl at his death-time." [15]
Layamon lets his imagination display itself not merely in the dramatic speeches that he puts into the mouths of his actors; he occasionally composes a long incident, as in the story of the coronation of Constans,[16] of the announcement to Arthur of Mordred's treachery,[17] and in the very striking account of Arthur's election to the throne of Britain and his reception of the messengers who come for him. "Arthur sate full still; one while he was wan, and in hue exceeding pale; one while he was red, and was moved in heart. When it all brake forth, it was good that he spake; thus said he then, forthright, Arthur, the noble knight: 'Lord Christ, God's Son, be to us now in aid, that I may in life hold God's laws.'" [18] But in general Layamon's expansions of Wace are merely slight additions or modifications, sufficient in number, however, to go far in doubling the size of the volume. His great change is that which I have already mentioned, the spirit in which the story is conceived, and this is best illustrated, perhaps, in the person of Arthur himself. For Arthur is no knight-errant, but a grim, stern, ferocious Saxon warrior, loved by his subjects, yet dreaded by them as well as by his foes. "Was never ere such king, so doughty through all things." He stands in the cold glare of monarchy and conquest, and save in the story of his birth and of his final battle he is seldom, if ever, seen through the softer light of romance. But Layamon is the only source for the story of which we hear nothing in the later romances, and which is generally attributed to a Teutonic origin, that elves came to Arthur's cradle and gave him good gifts--to be the best of knights, a rich king, long lived, abounding in "virtues most good." Layamon, too, gives a truly Celtic version of Arthur's disappearance from earth. Two fairy maidens bear the wounded king in a boat from the battle-field over the sea to Argante, the queen of Avalon, who will make him whole again. "And the Britons ever expect when Arthur shall return." This story, and also Layamon's very important account of the establishment of the Round Table, which is vastly more complete than Wace's, bear unmistakable marks of a Celtic origin. Layamon, in fact, living as he did near the Welsh border, naturally shows familiarity with current Welsh tradition. His work has a high value in the vexed question of the origin and growth of Arthurian romance; for it proves the existence of genuine Welsh tradition about Arthur, and makes untenable the position of those critics who maintain that the Arthurian legend had an independent development only on the continent.
Layamon's contributions to our knowledge of the Arthurian material are, however, comparatively small, since he augmented his original in the main by passages inspired by his own imagination.[19] His additions may be called poetic rather than legendary. Partly because of its Saxon character his _Brut_ never attained wide popularity, and it had little effect upon the cycle; but it remains one of the most truly great literary achievements in the field of both Arthurian chronicle and romance.
Our three most important Arthurian chroniclers, Geoffrey, Wace, and Layamon, were all men of marked individuality and ability; each lives for us with as distinct a personality as if we had far more than our very imperfect knowledge of the details of his life. Geoffrey, a clever combiner, a highly gifted narrator and scholar, born at a happy hour, gave the Arthurian legend a definite literary form, brought permanently together independent elements of tradition, and contributed enormously to the popularity of the cycle. Wace, the professional author, the scrupulous antiquarian and naive poet, carefully refined the material of Geoffrey, and dressed it in the French costume of courtly life. Layamon, the intense and imaginative English priest, transformed it by the Saxon spirit, and divesting it of its courtly elegance, filled it with greater simplicity and force.
EXCURSUS I.--ARTHUR'S MAGIC POSSESSIONS
Arthur's magic possessions form a prominent element in Welsh tradition, and their appearance in the early chronicles is an important testimony to the diffusion of Welsh legend. _Kilhwch and Olwen_ contains a list of