Arthurian Chronicles: Roman de Brut | Page 3

embarkation for the Roman campaign. Geoffrey, after saying simply that Arthur went to Southampton, where the wind was fair, passes at once to the dream that came to the king on his voyage across the Channel. But Wace paints a complete word-picture of the scene. Here you may see the crews gathering, there the ships preparing, yonder friends exchanging parting words, on this side commanders calling orders, on that, sailors manning the vessels, and then the fleet speeding over the waves.[6] Another spirited example of this same characteristic is found in the _Roman de Rou_ [7] in the stirring account of the advance of the Normans under William the Conqueror at the Battle of Hastings:--
"Taillefer, who sang right well, mounted on a charger that went swiftly, rode before the duke singing of Charlemagne and of Roland, and of Oliver and the vassals who died at Roncesval. When they had ridden until they came close to the English, 'Sire,' said Taillefer, 'a grace! I have served you long; for all my service, you owe me a debt. To-day, an it please you, repay it me. For all my guerdon I beg you and fervently I pray you, grant me to deal the first blow in the battle!' The duke replied, 'I grant it.' And Taillefer pricked on at full gallop, on before all the others he pressed. He struck an Englishman and killed him; beneath the breast, clean through the body he thrust his lance; he felled him down full length on the ground; then he drew his sword, he struck another; then he cried, 'On, on! What do ye? Strike, strike!' Then the English surrounded him at the second blow that he dealt. Hark to the noise raised and the cries!"
Apart from matters of style, Wace made other changes from Geoffrey's narrative that are more important for Arthurian romance. He wrote the _Brut_ under the patronage of Henry II, and, if we may trust Layamon's statement, he dedicated it to Queen Eleanor, who was the ardent propagator in England of the courtly ideals of southern France. Accordingly Wace, perhaps partly because of his own milieu, partly because of his royal patroness, wove into Geoffrey's narrative more pronouncedly chivalric material. The lack of the courtly virtue of mesure (moderation) that is noticeable in Geoffrey's Arthur, Wace is careful to conceal; he gives, furthermore, a place to the descriptions of love, which fill so many lines in the later romances, but which are absent from Geoffrey's pages. Gawain, for instance, who is "valiant and of very great moderation," declares that jesting and the delights of love are good, and that for the sake of his lady a young knight performs deeds of chivalry.[8] In addition to these changes, which are to be attributed to his personal bent and surroundings, Wace also makes it clear that he was conversant with stories of Arthur quite independent of the _Historia_. Fables about Arthur he himself says that he had heard, as we have seen, and from these he adds to Geoffrey's narrative two that bear unmistakable signs of a Celtic origin, and that were destined to become important elements in later romance; for he gives us the first literary record of the famous Round Table, [9] and the first definite mention in literature of the "hope of Britain." [10]
Wace is not to be regarded as one of the great contributors to our knowledge of Arthurian legend, but without a familiarity with his work, later French romance can scarcely be appreciated, so important is his place as a delicate transformer of the story, the harsher elements of which he veiled with the courtliness familiar to him, while he diffused throughout it the indefinable spirit of French romance; and this he did with the naive simplicity and grace that were his by birth and temperament.
II.--LAYAMON
To Wace we owe still another debt, for the _Roman de Brut_ served as the direct source for one of the greatest members of the Arthurian literature of any period. This is the _Brut_, written in the first half of the thirteenth century, after the year 1204, by Layamon, an English priest of the country parish of Lower Arnley in Worcestershire.
"There was a priest in the land, who was named Layamon; he was son of Leovenath--may the Lord be gracious to him!--he dwelt at Ernley, at a noble church upon Severn's bank,--good it there seemed to him--near Radestone, where he books read. It came to him in mind, and in his chief thought, that he would tell the noble deeds of the English; what they were named, and whence they came, who first possessed the English land, after the flood that came from the Lord.... Layamon began to journey wide over this land, and procured the noble books which he took for pattern.