Art-Lovers guide to the Exposition

Art-Lovers guide to the Exposition

Project Gutenberg's An Art-Lovers guide to the Exposition, by Shelden Cheney
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Title: An Art-Lovers guide to the Exposition
Author: Shelden Cheney
Release Date: February, 2005 [EBook #7411] [Yes, we are more than one year ahead of
schedule] [This file was first posted on April 25, 2003]
Edition: 10
Language: English
Character set encoding: ASCII
*** START OF THE PROJECT GUTENBERG EBOOK ART GUIDE TO THE
EXPOSITION ***

Produced by David A Schwan

An Art-Lover's Guide to the Exposition

Explanations of the Architecture, Sculpture and Mural Paintings, With a Guide for Study
in the Art Gallery

By Sheldon Cheney

Berkeley At the Sign of the Berkeley Oak 1915

Copyright 1915 by Sheldon Cheney

Printed and Engraved by Sunset Publishing House San Francisco

Contents

Foreword The Architecture and Art as a Whole Court of Abundance Court of the
Universe Court of the Four Seasons Court of Palms and Court of Flowers Tower of
Jewels, and Fountain of Energy Palaces Facing the Avenue of Palms Palaces Facing the
Marina, and the Column of Progress Palace of Machinery South Gardens, Festival Hall,
and Palace of Horticulture Palace of Fine Arts Outdoor Gallery of Sculpture Fine Arts
Galleries State and Foreign Buildings, and Scattered Art Exhibits Index

Foreword

This handbook is designed to furnish the information necessary for intelligent
appreciation of the purely artistic features of the Exposition. It is planned first to explain
the symbolism of the architecture, sculpture and painting; and second, to point out the
special qualities that give each artistic unit its individual appeal. It is made for the
intelligent observer who, having enjoyed the purely aesthetic impression of the various
works of art, feels a legitimate curiosity about their meaning.
Everything possible has been done to make the volume a guide rather than merely a
general treatise. The chapter groupings are the most obviously serviceable ones. Running
heads will be found at the tops of the pages, and the sub-headings and catch-titles in each
chapter are designed to make reference. to individual features as easy as possible. A
complete index is added at the end.
Purely destructive criticism and ridicule have been carefully avoided. But if the writer did
not pretend to a power of artistic discrimination which is lacking in the average layman
who has not specialized in art and architecture, there would be little excuse for preparing
the guide. The praise and criticism alike are such, it is hoped, as will aid the less practiced
eye to see new beauties or to establish sounder standards of judgment.
Acknowledgment is made to the official Exposition press bureau for courtesies received,
and to those artists who have supplied information about their own work. For obvious
reasons no material has been accepted direct from articles and books already published. If
certain explanations of the symbolism seem familiar, it is only because all wordings of
the ideas echo the artists' interpretations as given out by the press bureau.
Acknowledgment is due also to the Cardinell-Vincent Company, official photographers,
since most of the illustrations are from their prints.
S. C.

The Architecture and Art as a Whole

In the art of the Exposition the great underlying theme is that of achievement. The
Exposition is being held to celebrate the building of the Panama Canal, and to exhibit to
the world evidences of the progress of civilization in the decade since the last great
exposition-a period among the richest in the history of civilization. So the ideas of victory,
achievement, progress and aspiration are expressed again and again: in the architecture
with its triumphal arches and aspiring towers; in the sculpture that brings East and West
face to face, and that shows youth rising with the morning sun, eager and unafraid; and in
the mural paintings that portray the march of civilization, and that tell the story of the
latest and greatest of mankind's triumphs over