Ars Recte Vivendi | Page 8

play which the audience turned over at the same moment?"
The Easy Chair declined to step into the snare which was plainly set in its sight. It would not accept an illustration as an argument. The enjoyment at a concert, it contended, for which the audience has paid in advance, and to which it is entitled, depends upon conditions of silence and order which it can not itself maintain without serious disturbance. It may indeed cry "Hush!" and "Put him out!" but not only would that cry be of doubtful effect, but experience proves that a concert audience will not raise it. If the audience were left to itself, it would permit late arrivals, and all the disturbance of chatter and movement. To twist the line of Goldsmith, those who came to pray would be at the mercy of those who came to scoff; and such mercy is merciless. The conductor stands in loco parentis. He is the advocatus angeli. He does for the audience what it would not do for itself. He protects it against its own fatal good-nature. He insists that it shall receive what it has paid for, and he will deal with disturbers as they deserve. The audience, conscious of its own good-humored impotence, recognizes at once its protector, and gladly applauds him for doing for it what it has not the nerve to do for itself. No audience whose rights were defended as Thomas defended those of his Washington audience ever resented the defence.
"No," responded Cleopatra, briskly; "the same imbecility prevents."
"Very well; then such an audience plainly needs a strong and resolute leadership; and that is precisely what Thomas supplied. A crowd is always grateful to the man who will do what everybody in the crowd feels ought to be done, but what no individual is quite ready to undertake."
When Cleopatra said that an audience is quite competent to take care of itself, her remark was natural, for she instinctively conceived the audience as herself extended into a thousand persons. Such an audience would certainly be capable of dispensing with any mentor or guide. But when the Easy Chair asked her if she was annoyed by the chattering interruption which Thomas rebuked, she replied that of course she was annoyed. Yet when she was further asked if she cried "Hush!" or resorted to any means whatever to quell the disturbance, the royal lady could not help smiling as she answered, "I did not," and the Easy Chair retorted, "Yet an audience is capable of protecting itself!"
Meanwhile, whatever the conductor or the audience may or may not do, nothing is more vulgar than audible conversation, or any other kind of disturbance, during a concert. Sometimes it may be mere thoughtlessness; sometimes boorishness, the want of the fine instinct which avoids occasioning any annoyance; but usually it is due to a desire to attract attention and to affect superiority to the common interest. It is, indeed, mere coarse ostentation, like wearing diamonds at a hotel table or a purple velvet train in the street. If the audience had the courage which Cleopatra attributed to it, that part which was annoyed by the barbarians who chatter and disturb would at once suppress the annoyance by an emphatic and unmistakable hiss. If this were the practice in public assemblies, such incidents as that at the Washington concert would be unknown. Until it is the practice, even were Cleopatra's self the offender, every self-respecting conductor who has a proper sense of his duties to the audience will do with its sincere approval what Mr. Thomas did.
(April, 1883)

WOMAN'S DRESS
The American who sits in a street omnibus or railroad-car and sees a young woman whose waist is pinched to a point that makes her breathing mere panting and puffing, and whose feet are squeezed into shoes with a high heel in the middle of the sole, which compels her to stump and hobble as she tries to walk, should be very wary of praising the superiority of European and American civilization to that of the East. The grade of civilization which squeezes a waist into deformity is not, in that respect at least, superior to that which squeezes a foot into deformity. It is in both instances a barbarous conception alike of beauty and of the function of woman. The squeezed waist and the squeezed foot equally assume that distortion of the human frame may be beautiful, and that helpless idleness is the highest sphere of woman.
But the imperfection of our Western civilization shows itself in more serious forms involving women. The promiscuous herding of men and women prisoners in jails, the opposition to reformatories and penitentiaries exclusively for women, and, in general, the failure to provide, as a matter of course, women attendants and women nurses for all women prisoners and patients,