Aria da Capo | Page 7

wide, has thin legs and is painted black.
When Pierrot and Columbine enter in the final scene, it is not necessary that the table which Cothurnus has replaced shall entirely conceal the bodies of Thyrsis and Corydon. Pierrot and Columbine must ignore them until the lines indicate their discovery, no matter how they may have fallen.
Particular attention must be given to the chairs in this set. They are used to construct the tissue-paper wall, and, although delicate, should be heavy enough to remain solid and steady, up and down stage, without the possibility of an upset when Corydon strides through the wall.
Near the footlights (actors' left) are two sofa pillows, used to represent the rocks against which the shepherds lean. On the left of the stage have another pillow, which Thyrsis places under his head when he lies down to sleep. Use cloth or crepe paper for these pillows, and have them of spotted black and white material, or of any gay color except red or blue.
Cothurnus occupies a chair upon a platform, up-stage, centre, with two or three steps surrounding it on three sides. Drape this with plain heavy black cloth.
The table covering is important. Its width is equal to that of the added height and width of the table. As it must be moved to cover the bodies of Thyrsis and Corydon, it should be of sufficient weight to prevent slipping. It will be well to experiment with this, to ensure proper performance.
The cover should have black and white spots and striped ends.
The table is set as follows:--two large wooden bowls (at least seven inches high and fourteen inches in diameter). One is placed at each end of the table. That at Columbine's end should contain persimmons, pomegranates, grapes and other bright exotic fruits. Pierrot's bowl has confetti and colored paper ribbons, the latter showing plainly over the edge. (If Columbine uses practical macaroons, put them into this bowl.)
Near Columbine, place a practical uncooked artichoke; have this of good size, and nail it to a wooden standard, painted black. At both places there are tall white wooden goblets.
In the centre of the table there should be a curious, grotesque, but very gay flower, standing upright in a pot of wood or heavy paper, which will not break when Thyrsis drops it. Concealed at the root of this plant there should be a small sack of black confetti, to be used in the "poison scene."
The table should be set with nothing but these articles, and yet give the appearance of bounty and elegance.
Place the table parallel with the footlights,--the long side toward the audience.
Columbine's chair is at the actors' right, and Pierrot's opposite--Columbine's hat hangs from her chair-top. Both chairs are festooned with tissue-paper ribbons, at least ten feet long, to be used later by the shepherds to represent their wall. These must be of such a texture as to break readily when Corydon walks through, and a prearranged transverse tear or two will assist in the prompt breakage when he does so.
PROPERTIES:
Two white wooden bowls, one filled with fruits and the other with confetti and paper ribbons,--one ribbon to be of cotton or silk, in order to be not too easily broken by Corydon when strangling Thyrsis
Two tall white wooden goblets
One artichoke nailed to a standard
One flower in paper or wooden pot, the root wrapped with black crepe paper (or use confetti)
Black and white tablecloth
Macaroons
Boots and prompt-book for Cothurnus (large flat black book)
Also, if desired, mask of Tragedy for Cothurnus
Crepe or tissue streamers of different colors, including no red or blue, for wall.
COSTUMES:
PIERROT: Lavender or lilac satin, preferably a blue-lavender. Care should be taken that the lavender does not turn pink under the stage lights. Pierrot's costume is the conventional smock with wide trousers, with black crepe paper rosettes on the smock, wide white tarleton ruff. Black evening pumps with black rosettes may be worn. Black silk skull-cap.
COLUMBINE: Tight black satin bodice cut very low, with straps over the shoulders, quite like the modern evening gown; very full tarleton skirts of different shades of pink and cerise, reaching to the knees; ruffled bloomers of apple-green tarleton, the ruffles showing below the skirts; black silk stockings and black ballet slippers, laced with green. Hat of lavender crepe paper, with streamers of gay colors--including, however, no clear red or blue. Hat should be small and very smart--not a shepherdess hat. Columbine should be made up to suggest a doll. As originally interpreted she had short light hair, standing out bushily all over her head. Long hair should be rolled under to give a bobbed effect, or could be arranged in obvious caricature of some extreme modern style, but must look attractive, and must be blonde.
COTHURNUS: Plain toga of dull purple in some heavy, unreflecting material which will fall into large folds,