Annie Kilburn | Page 4

naturally follows the growth of a country road into a village thoroughfare. The dwellings were placed nearer or further from the sidewalk as their builders fancied, and the elms that met in a low arch above the street had an illusive symmetry in the perspective; they were really set at uneven intervals, and in a line that wavered capriciously in and out. The street itself lounged and curved along, widening and contracting like a river, and then suddenly lost itself over the brow of an upland which formed a natural boundary of the village. Beyond this was South Hatboro', a group of cottages built by city people who had lately come in--idlers and invalids, the former for the cool summer, and the latter for the dry winter. At chance intervals in the old village new side streets branched from the thoroughfare to the right and the left, and here and there a Queen Anne cottage showed its chimneys and gables on them. The roadway under the elms that kept it dark and cool with their hovering shade, and swept the wagon-tops with their pendulous boughs at places, was unpaved; but the sidewalks were asphalted to the last dwelling in every direction, and they were promptly broken out in winter by the public snow-plough.
Miss Kilburn saw them in the spring, when their usefulness was least apparent, and she did not know whether to praise the spirit of progress which showed itself in them as well as in other things at Hatboro'. She had come prepared to have misgivings, but she had promised herself to be just; she thought she could bear the old ugliness, if not the new. Some of the new things, however, were not so ugly; the young station-master was handsome in his railroad uniform, and pleasanter to the eye than the veteran baggage-master, incongruous in his stiff silk cap and his shirt sleeves and spectacles. The station itself, one of Richardson's, massive and low, with red-tiled, spreading veranda roofs, impressed her with its fitness, and strengthened her for her encounter with the business architecture of Hatboro', which was of the florid, ambitious New York type, prevalent with every American town in the early stages of its prosperity. The buildings were of pink brick, faced with granite, and supported in the first story by columns of painted iron; flat-roofed blocks looked down over the low-wooden structures of earlier Hatboro', and a large hotel had pushed back the old-time tavern, and planted itself flush upon the sidewalk. But the stores seemed very good, as she glanced at them from her carriage, and their show-windows were tastefully arranged; the apothecary's had an interior of glittering neatness unsurpassed by an Italian apothecary's; and the provision-man's, besides its symmetrical array of pendent sides and quarters indoors, had banks of fruit and vegetables without, and a large aquarium with a spraying fountain in its window.
Bolton, the farmer who had always taken care of the Kilburn place, came to meet her at the station and drive her home. Miss Kilburn had bidden him drive slowly, so that she could see all the changes, and she noticed the new town-hall, with which she could find no fault; the Baptist and Methodist churches were the same as of old; the Unitarian church seemed to have shrunk as if the architecture had sympathised with its dwindling body of worshippers; just beyond it was the village green, with the soldiers' monument, and the tall white-painted flag-pole, and the four small brass cannon threatening the points of the compass at its base.
"Stop a moment, Mr. Bolton," said Miss Kilburn; and she put her head quite out of the carriage, and stared at the figure on the monument.
It was strange that the first misgiving she could really make sure of concerning Hatboro' should relate to this figure, which she herself was mainly responsible for placing there. When the money was subscribed and voted for the statue, the committee wrote out to her at Rome as one who would naturally feel an interest in getting something fit and economical for them. She accepted the trust with zeal and pleasure; but she overruled their simple notion of an American volunteer at rest, with his hands folded on the muzzle of his gun, as intolerably hackneyed and commonplace. Her conscience, she said, would not let her add another recruit to the regiment of stone soldiers standing about in that posture on the tops of pedestals all over the country; and so, instead of going to an Italian statuary with her fellow-townsmen's letter, and getting him to make the figure they wanted, she doubled the money and gave the commission to a young girl from Kansas, who had come out to develop at Rome the genius recognised at Topeka. They decided together that it would