Animal Carvings from Mounds of the Mississippi Valley | Page 8

p. 260, Fig. 169) here illustrated, the authors remark:
The engraving very well represents the original, which is delicately carved from a compact limestone. It is supposed to represent the toucan--a tropical bird, and one not known to exist anywhere within the limits of the United States. If we are not mistaken in supposing it to represent this bird, the remarks made respecting the sculptures of the manitus will here apply with double force.
[Illustration: Fig. 15.--Toucan of Squier and Davis.]
This sculpture is fortunately easy of identification. Among several ornithologists, whose opinions have been asked, not a dissenting voice has been heard. The bird is a common crow or a raven, and is one of the most happily executed of the avian sculptures, the nasal feathers, which are plainly shown, and the general contour of the bill being truly corvine. It would probably be practically impossible to distinguish a rude sculpture of a raven from that of a crow, owing to the general resemblance of the two. The proportions of the head here shown are, however, those of the crow, and the question of habitat renders it vastly more likely that the crow was known to the Mound-Builders of Ohio than that the raven was. What possible suggestion of a toucan is to be found in this head it is not easy to see.
Turning to page 266 (Fig. 178) another and very different bird is held up to view as a toucan.
[Illustration: Fig. 16.--Toucan of Squier and Davis.]
Squier and Davis remark of this sculpture:
From the size of its bill, and the circumstance of its having two toes before and two behind, the bird intended to be represented would seem to belong to the zygodactylous order--probably the toucan. The toucan (Ramphastos of Lin.) is found on this continent only in the tropical countries of South America.
In contradiction to the terms of their description their own figure, as will be noticed, shows three toes in front and two behind, or a total of five, which makes the bird an ornithological curiosity, indeed. However, as the cast in the Smithsonian collection shows three toes in front and one behind, it is probably safe to assume that the additional hind toe was the result of mistake on the part of the modern artist, so that four may be accepted as its proper quota. The mistake then chargeable to the above authors is that in their discussion they transferred one toe from before and added it behind. In this curious way came their zygodactylous bird.
This same pipe is figured by Stevens in Flint Chips, p. 426, Fig. 5. The wood-cut is a poor one, and exhibits certain important changes, which, on the assumption that the pipe is at all well illustrated by the cast in the Smithsonian, reflects more credit on the artist's knowledge of what a toucan ought to look like than on his fidelity as an exact copyist.
The etchings across the upper surface of the base of the pipe, miscalled fingers, are not only made to assume a hand-like appearance but the accommodating fancy of the artist has provided a roundish object in the palm, which the bird appears about to pick up. The bill, too, has been altered, having become rounded and decidedly toucan-like, while the tail has undergone abbreviation, also in the direction of likeness to the toucan. In short, much that was lacking in the aboriginal artist's conception towards the likeness of a toucan has in this figure been supplied by his modern interpreter.
[Illustration: Fig. 17.--Toucan as figured by Stevens.]
This cut corresponds with the cast in the Smithsonian collection, in having the normal number of toes, four--three in front and one behind. This departure from the arrangement common to the toucan family, which is zygodactylous, seems to have escaped Stevens's attention. At least he volunteers no explanation of the discrepancy, being, doubtless, influenced in his acceptance of the bird as a toucan by the statements of others.
Wilson follows the cut of Squier and Davis, and represents the bird with five toes, stating that the toucan is "imitated with considerable accuracy." He adds: "The most important deviation from correctness of detail is, it has three toes instead of two before, although the two are correctly represented behind." How Wilson is guided to the belief that the sculptor's mistake consists in adding a toe in front instead of one behind it would be difficult to explain, unless, indeed, he felt the necessity of having a toucan at all hazards. The truth is that, the question of toes aside, this carving in no wise resembles a toucan. Its long legs and proportionally long toes, coupled with the rather long neck and bill, indicate with certainty a wading bird of some kind, and in default of anything that comes nearer, an ibis may be suggested; though