Animal Carvings from Mounds of the Mississippi Valley | Page 9

if intended by the sculptor as an ibis, candor compels the statement that the ibis family has no reason to feel complimented.
The identification of this sculpture as a toucan was doubtless due less to any resemblance it bears to that bird than to another circumstance connected with it of a rather fanciful nature. As in the case of several others, the bird is represented in the act of feeding, upon what it would be difficult to say. Certainly the four etchings across the base of the pipe bear little resemblance to the human hand. Had they been intended for fingers they would hardly have been made to extend over the side of the pipe, an impossible position unless the back of the hand be uppermost. Yet it was probably just this fancied resemblance to a hand, out of which the bird is supposed to be feeding, that led to the suggestion of the toucan. For, say Squier and Davis, p. 266:
In those districts (i.e., Guiana and Brazil) the toucan was almost the only bird the aborigines attempted to domesticate. The fact that it is represented receiving its food from a human hand would, under these circumstances, favor the conclusion that the sculpture was designed to represent the toucan.
Rather a slender thread one would think upon which to hang a theory so far-reaching in its consequences.
Nor was it necessary to go as far as Guiana and Brazil to find instances of the domestication of wild fowl by aborigines. Among our North American Indians it was a by no means uncommon practice to capture and tame birds. Roger Williams, for instance, speaks of the New England Indians keeping tame hawks about their dwellings "to keep the little birds from their corn." (Williams's Key into the Language of America, 1643, p. 220.) The Zu?is and other Pueblo Indians keep, and have kept from time immemorial, great numbers of eagles and hawks of every obtainable species, as also turkies, for the sake of the feathers. The Dakotas and other western tribes keep eagles for the same purpose. They also tame crows, which are fed from the hand, as well as hawks and magpies. A case nearer in point is a reference in Lawson to the Congarees of North Carolina. He says, "they are kind and affable, and tame the cranes and storks of their savannas." (Lawson's History of Carolina, p. 51.) And again (p. 53) "these Congarees have an abundance of storks and cranes in their savannas. They take them before they can fly, and breed them as tame and familiar as a dung-hill fowl. They had a tame crane at one of these cabins that was scarcely less than six feet in height."
So that even if the bird, as has been assumed by many writers, be feeding from a human hand, of which fact there is no sufficient evidence, we are by no means on this account driven to the conclusion, as appears to have been believed, that the sculpture could be no other than a toucan.
As in the Cass of the manatee, it has been thought well to introduce a correct drawing of a toucan in order to afford opportunity for comparison of this very striking bird with its supposed representations from the mounds. For this purpose the most northern representative of the family has been selected as the one nearest the home of the Mound-Builders.
The particulars wherein it differs from the supposed toucans are so many and striking that it will be superfluous to dwell upon them in detail. They will be obvious at a glance.
Thus we have seen that the sculptured representation of three birds, totally dissimilar from each other, and not only not resembling the toucan, but conveying no conceivable hint of that very marked bird, formed the basis of Squier and Davis' speculations as to the presence of the toucan in the mounds. These three supposed toucans have been copied and recopied by later authors, who have accepted in full the remarks and deductions accompanying them.
At least two exceptions to the last statement may be made. It is refreshing to find that two writers, although apparently accepting the other identifications by Squier and Davis, have drawn the line at the toucan. Thus Rau, in The Arch?ological Collections of the United States National Museum, pp. 46-47, states that--
The figure (neither of the writers mentioned appear to have been aware that there was more than one supposed toucan) is not of sufficient distinctness to identify the original that was before the artist's mind, and it would not be safe, therefore, to make this specimen the subject of far-reaching speculations.
[Illustration: Fig. 18.--Keel-Billed Toucan of Southern Mexico (Rhamphastos carinatus.)]
Further on he adds, "Leaving aside the more than doubtful toucan, the imitated animals belong, without exception, to the North American fauna." Barber, also,