Anglo-Saxon Literature | Page 3

in Greek, even in the most flourishing times of the Roman power. It is sufficient to mention such names as Dioscorides, Galen, Strabo, Ptolemy. The greatest works in history, biography, travel, antiquities, ethics, philosophy were also written in Greek. Such names as Polybius, Plutarch, Josephus, Pausanias, Dionysius, Epictetus, Lucian will give the reader means of proof. Fronto could not prevail with a Roman emperor, his old pupil, to prefer Latin to Greek. Marcus Aurelius wrote his "Meditations" in Greek. The language of the infant Church, even in Italy and the West, was not Latin, but Greek. The names of the first bishops of Rome are Greek names, the Christian Scriptures are in Greek, and so is the oldest extant Liturgy--the Clementine--which seems to represent the practice of the West no less than of the East. Not only the Canonical Scriptures of the New Testament are in Greek, but also those which were partially or for a time received, as the Epistle of Clement, the Hermas, the Epistle of Barnabas. And a further set of writings beyond these and inferior to these, but ultimately of great popularity, were in Greek: I mean the legendary and romantic apocryphal writings, such as the Acts of Peter and Paul, the Acts of Pilate, and many others.[1] This latter set was already growing in the second century, and reached their mature form in the time of Gregory the Great.
It is not clear how early Latin began to be used as the official language of the Church, but everything points to an important change soon after the middle of the second century. Before that time, Justin, living at Rome, and writing (A.D. 138), for the Roman people to read, a defence of Christianity, which was addressed to the emperor Antoninus Pius, wrote it in Greek; but before long another apologetic writer, Minucius Felix, wrote in Latin. This coincides with other indications to mark a great transition in the latter half of the second century. Up to this time two languages were in literary currency, a foreign scholastic language and an ?sthetic vernacular. It was chiefly the wealthy class that sustained these literary languages in Rome. When in A.D. 166 the Oriental plague was brought to Italy with the army returning from Parthia, cultivated society was wrecked, and the literary movement was greatly interrupted in both languages. This was a blow to the artificial culture of Greek in Italy, just as the plague of 1349 and following years was a blow to the artificial culture of French in England. After A.D. 166 a check was given to progress, which lasted, in the secular domain, until the sixteenth century.
Let us spend a moment upon the sequel of the old literature, before we come to the new, which is our proper subject here.
Under the altered times that now ensued, the continuity of classicism is seen in two forms of literature--namely, philological criticism and poetry. The acknowledged model of Latin poetry was Virgil, and his greatest imitator was Claudian, who had made himself a Latin scholar by study, much as the moderns do. Claudian is commonly called the last of the heathen poets. He has also been called the transitional link between ancient and modern, between heathen and Christian poetry.[2] One characteristic may be mentioned, namely, his personification of moral or personal qualities, a sort of allegory destined to flourish for many centuries, of which the first mature example appears in the "Soul's Fight" of Prudentius, the Christian poet, who was a contemporary of Claudian. The school study of the classics produced grammars, and two authors became chiefly celebrated in this branch, namely, Donatus and Priscian. Their books were standards through the Dark and Middle Ages.[3]
There was one department of prose literature in which Latin was undisturbed and unsophisticated. This was the department of law and administration. The legal diction escaped, in a great measure, from the influence of classicism; it kept on its even way through the whole period, and as it was an ordinary school subject under the empire, the language of the law books exercised great influence in the formation of the prose style that continued through the Middle Ages.
We now come to the new Latin literature with which we are intimately concerned.
By the side of this diminished stream of the elder literature there rose, after the middle of the second century, a new series of writings, new in subject, and new also in manner, diction, and spirit. The phraseology is less literary, and more taken from the colloquial speech and the usage of everyday life. It seems also to be, in some measure, the return-language of a colony: some of the earliest and most important contributions come from Africa, where Latin was now the mother-tongue of a large population, and that country appears to have escaped