Andreas: The Legend of St. Andrew | Page 4

among the other poems of the Anglo-Saxons? and what are its chief merits as a work of art? The Old English epics may be divided into two general classes: the heroic epic, of which the Beowulf is the chief example; and the larger group of religious epics, including the poems of Cynewulf, of Pseudo-C?dmon, the Judith_, and the _Andreas.
In spite of occasional Christian interpolations the Beowulf is essentially pagan, the expression of English sentiments and ideals before Augustine led his little band of chanting monks through the streets of Canterbury. In the Andreas we see better, perhaps, than in any of the religious epics, these same sentiments and ideals softened and ennobled by the sweet spirit of the Christian religion. We see the conversion of England in the very process of its accomplishment. We see the beauties of Paganism and those of Christianity blending with each other, much as the Medieval and the Renaissance are blended in Spenser. In the one aspect Andrew is the valiant hero, like Beowulf, crossing the sea to accomplish a mighty deed of deliverance; in the other he is the saintly confessor, the patient sufferer, whose whole trust is in the Lord.
If we compare the poem with the other epics of its class, its most formidable competitors are the anonymous Judith and Cynewulf's Christ_. But _Judith, though unquestionably more brilliant, is but a fragment of 350 lines, and the Christ, in spite of its many beautiful passages, is entirely lacking in movement. The Andreas is complete, and, if we except the long dialogue of Andrew and the Lord at sea, moves steadily towards the end with considerable variety of action. If the characterization is crude, the descriptions are vivid, the speeches are often vigorous, and the treatment of nature is throughout charming. It seems to me eminently suited by its subject and manner to stand as an example of the Old English religious epic, an example of a form of literature with which every serious student of our English poetry should be familiar. For English literature does not begin with Chaucer. He who would understand it well must know it also in its purer English form before the coming of the Normans.
[Sidenote: The Argument.]
It only remains to give a brief synopsis of the poem. It has fallen to the lot of Matthew to preach the Gospel to the cannibal Mermedonians; they seize him and his company, binding him and casting him into prison, where he is to remain until his turn comes to be eaten (1-58). He prays to God for help, and the Lord sends Andrew to deliver him (59-234). Andrew and his disciples come to the seashore and find a bark with three seamen, who are in reality the Lord and His two angels. On learning that Andrew is a follower of Jesus, the shipmaster agrees to carry him to Mermedonia (234-359). A storm arises, at which the disciples of Andrew are greatly terrified; he reminds them how Christ stilled the tempest, and they fall asleep (360-464). A dialogue ensues, in which Andrew relates to the shipmaster many of Christ's miracles (465-817). He falls asleep, and is carried by the angels to Mermedonia. On awaking, he beholds the city, and his disciples sleeping beside him. They relate to him a vision which they had seen. The Lord appears and bids him enter the city, covering him with a cloud (818-989). He reaches the prison, the doors of which fly open at his touch, and rescues Matthew, whom he sends away with all his company (990-1057). The Mermedonians, confronted with famine, choose one of their number by lot to serve as food for the rest. He offers his son as a substitute, but, as the heathen are about to slay their victim, Andrew interposes and causes their weapons to melt away like wax (1058-1154). Instigated by the Devil, they seize Andrew, and for three days subject him to the most cruel torments (1155-1462). On the fourth the Lord comes to his prison and heals him of his wounds. Beside the prison wall Andrew sees a marble pillar, which, at his command, sends forth a great flood, destroying many of the people (1462-1575). Andrew takes pity upon them and causes the flood to cease. The mountain is cleft and swallows up the waters, together with fourteen of the worst of the heathen. The others are restored to life and baptized. After building a church and appointing a bishop, Andrew returns to Achaia, followed by the prayers of his new converts (1575-1722).
THE LEGEND OF ST. ANDREW
Lo! we have learned of Twelve in days gone by,?Who dwelt beneath the stars, in glory rich,?Thanes of the Lord, whose courage for the fight?Failed never, e'en when helmets crashed in war,?From that time when they portioned each his place,?As God