in gilt are perched, surmount the whole. Pictures no artist need be ashamed of decorate the walls, groups in bronze and Parian, stand on pedestals between the windows, and there is a regal air about the furniture, which is of the most elaborate workmanship. But the living figures moving to and fro, some in uncouth dresses and some scarce dressed at all, and all reflected in the great mirrors, excite the deepest interest. Truly it is here that vice has arrayed itself in fascinating splendors, and the young and the old have met to pay it tribute. The reckless youth meets the man high in power here. The grave exchange salutations with the gay. Here the merchant too often meets his clerk, and the father his son. And before this promiscuous throng women in bright but scanty drapery, and wan faces, flaunt their charms.
Sitting on a sofa, is the fair young girl we saw at the cemetery. By her side is a man of venerable presence, endeavoring to engage her in conversation. Her face is shadowed in a pensive smile;--she listens to what falls from the lips of her companion, shakes her head negatively, and watches the movements of a slender, fair-haired young man, who saunters alone on the opposite side of the room. He has a deep interest in the fair girl, and at every turn casts a look of hate and scorn at her companion, who is no less a person than Judge Sleepyhorn, of this history.
"Hain't no better wine nowhere, than's got in this house," ejaculates the old hostess, calling our attention to a massive side-board, covered with cut-glass of various kinds. "A gentleman what's a gentleman may get a little tipsy, providin' he do it on wine as is kept in this house, and carry himself square." Madame motions patronizingly with her hand, bows condescendingly, and says, "Two bottles I think you ordered, gentlemen--what gentlemen generally call for."
Having bowed assent, and glad to get off so cheaply, Manfredo, a slave in bright livery, is directed to bring it in.
Mr. Snivel enters, to the great delight of the old hostess and various friends of the house. "Mr. Snivel is the spirit of this house," resumes the old hostess, by way of introduction; "a gentleman of distinction in the law." She turns to Mr. Snivel inquiringly. "You sent that ruffin, Tom Swiggs, up for me to-day?"
"Lord bless you, yes--gave him two months for contemplation. Get well starved at fifteen cents a day----"
"Sorry for the fellow," interrupts the old hostess, sympathizingly. "That's what comes a drinkin' bad liquor. Tom used to be a first-rate friend of this house--spent heaps of money, and we all liked him so. Tried hard to make a man of Tom. Couldn't do it." Madame shakes her head in sadness. "Devil got into him, somehow. Ran down, as young men will when they gets in the way. I does my part to save them, God knows." A tear almost steals into Madame's eyes. "When Tom used to come here, looking so down, I'd give him a few dollars, and get him to go somewhere else. Had to keep up the dignity of the house, you know. A man as takes his liquor as Tom does ain't fit company for my house."
Mr. Snivel says: "As good advice, which I am bound to give his mother, I shall say she'd better give him steady lodgings in jail." He turns and recognizes his friend, the judge, and advances towards him. As he does so, Anna rises quickly to her feet, and with a look of contempt, addressing the judge, says, "Never, never. You deceived me once, you never shall again. You ask me to separate myself from him. No, never, never." And as she turns to walk away the judge seizes her by the hand, and retains her. "You must not go yet," he says.
"She shall go!" exclaims the fair young man, who has been watching their movements. "Do you know me? I am the George Mulholland you are plotting to send to the whipping-post,--to accomplish your vile purposes. No, sir, I am not the man you took me for, as I would show you were it not for your grey hairs." He releases her from the judge's grasp, and stands menacing that high old functionary with his finger. "I care not for your power. Take this girl from me, and you pay the penalty with your life. We are equals here. Release poor Langdon from prison, and go pay penance over the grave of his poor wife. It's the least you can do. You ruined her--you can't deny it." Concluding, he clasps the girl in his arms, to the surprise of all present, and rushes with her out of the house.
The house of Madame Flamingo is in
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