An Ideal Husband

An Ideal Husband


by Oscar Wilde

THE PERSONS OF THE PLAY
THE EARL OF CAVERSHAM, K.G.
VISCOUNT GORING, his Son
SIR ROBERT
CHILTERN, Bart., Under-Secretary for Foreign Affairs
VICOMTE DE NANJAC,
Attache at the French Embassy in London
MR. MONTFORD MASON, Butler to Sir
Robert Chiltern
PHIPPS, Lord Goring's Servant
JAMES } HAROLD } Footmen

LADY CHILTERN
LADY MARKBY THE COUNTESS OF BASILDON
MRS.
MARCHMONT
MISS MABEL CHILTERN, Sir Robert Chiltern's Sister
MRS.
CHEVELEY
THE SCENES OF THE PLAY
ACT I. The Octagon Room in Sir Robert Chiltern's House in Grosvenor Square.
ACT II.
Morning-room in Sir Robert Chiltern's House.
ACT III. The Library of Lord Goring's
House in Curzon Street.
ACT IV. Same as Act II.
TIME: The Present PLACE: London.
The action of the play is completed within twenty-four hours.
THEATRE ROYAL, HAYMARKET
Sole Lessee: Mr. Herbert Beerbohm Tree Managers: Mr. Lewis Waller and Mr. H. H.
Morell January 3rd, 1895
THE EARL OF CAVERSHAM, Mr. Alfred Bishop.
VISCOUNT GORING, Mr.
Charles H. Hawtrey.
SIR ROBERT CHILTERN, Mr. Lewis Waller.
VICOMTE DE
NANJAC, Mr. Cosmo Stuart.
MR. MONTFORD, Mr. Harry Stanford.
PHIPPS, Mr.
C. H. Brookfield.
MASON, Mr. H. Deane.
JAMES, Mr. Charles Meyrick.


HAROLD, Mr. Goodhart.
LADY CHILTERN, Miss Julia Neilson.
LADY MARKBY,
Miss Fanny Brough.
COUNTESS OF BASILDON, Miss Vane Featherston.
MRS.
MARCHMONT, Miss Helen Forsyth.
MISS MABEL CHILTERN, Miss Maud Millet.

MRS. CHEVELEY, Miss Florence West.

FIRST ACT

SCENE
The octagon room at Sir Robert Chiltern's house in Grosvenor Square.
[The room is brilliantly lighted and full of guests. At the top of the staircase stands
LADY CHILTERN, a woman of grave Greek beauty, about twenty-seven years of age.
She receives the guests as they come up. Over the well of the staircase hangs a great
chandelier with wax lights, which illumine a large eighteenth-century French tapestry -
representing the Triumph of Love, from a design by Boucher - that is stretched on the
staircase wall. On the right is the entrance to the music-room. The sound of a string
quartette is faintly heard. The entrance on the left leads to other reception- rooms. MRS.
MARCHMONT and LADY BASILDON, two very pretty women, are seated together on
a Louis Seize sofa. They are types of exquisite fragility. Their affectation of manner has a
delicate charm. Watteau would have loved to paint them.]
MRS. MARCHMONT. Going on to the Hartlocks' to-night, Margaret?
LADY BASILDON. I suppose so. Are you?
MRS. MARCHMONT. Yes. Horribly tedious parties they give, don't they?
LADY BASILDON. Horribly tedious! Never know why I go. Never know why I go
anywhere.
MRS. MARCHMONT. I come here to be educated
LADY BASILDON. Ah! I hate being educated!
MRS. MARCHMONT. So do I. It puts one almost on a level with the commercial classes,
doesn't it? But dear Gertrude Chiltern is always telling me that I should have some
serious purpose in life. So I come here to try to find one.
LADY BASILDON. [Looking round through her lorgnette.] I don't see anybody here
to-night whom one could possibly call a serious purpose. The man who took me in to
dinner talked to me about his wife the whole time.
MRS. MARCHMONT. How very trivial of him!

LADY BASILDON. Terribly trivial! What did your man talk about?
MRS. MARCHMONT. About myself.
LADY BASILDON. [Languidly.] And were you interested?
MRS. MARCHMONT. [Shaking her head.] Not in the smallest degree.
LADY BASILDON. What martyrs we are, dear Margaret!
MRS. MARCHMONT. [Rising.] And how well it becomes us, Olivia!
[They rise and go towards the music-room. The VICOMTE DE NANJAC, a young
attache known for his neckties and his Anglomania, approaches with a low bow, and
enters into conversation.]
MASON. [Announcing guests from the top of the staircase.] Mr. and Lady Jane Barford.
Lord Caversham.
[Enter LORD CAVERSHAM, an old gentleman of seventy, wearing the riband and star
of the Garter. A fine Whig type. Rather like a portrait by Lawrence.]
LORD CAVERSHAM. Good evening, Lady Chiltern! Has my good-for- nothing young
son been here?
LADY CHILTERN. [Smiling.] I don't think Lord Goring has arrived yet.
MABEL CHILTERN. [Coming up to LORD CAVERSHAM.] Why do you call Lord
Goring good-for-nothing?
[MABEL CHILTERN is a perfect example of the English type of prettiness, the
apple-blossom type. She has all the fragrance and freedom of a flower. There is ripple
after ripple of sunlight in her hair, and the little mouth, with its parted lips, is expectant,
like the mouth of a child. She has the fascinating tyranny of youth, and the astonishing
courage of innocence. To sane people she is not reminiscent of any work of art. But she is
really like a Tanagra statuette, and would be rather annoyed if she were told so.]
LORD CAVERSHAM. Because he leads such an idle life.
MABEL CHILTERN. How can you say such a thing? Why, he rides in the Row at ten
o'clock in the morning, goes to the Opera three times a week,