An Historical Mystery | Page 4

Honoré de Balzac
thing as prophetic physiognomy. If it were possible (and such a vital statistic would be of value to society) to obtain exact likenesses of those who perish on the scaffold, the science of Lavatar and also that of Gall would prove unmistakably that the heads of all such persons, even those who are innocent, show prophetic signs. Yes, fate sets its mark on the faces of those who are doomed to die a violent death of any kind. Now, this sign, this seal, visible to the eye of an observer, was imprinted on the expressive face of the man with the rifled carbine. Short and stout, abrupt and active in his motions as a monkey, though calm in temperament, Michu had a white face injected with blood, and features set close together like those of a Tartar,--a likeness to which his crinkled red hair conveyed a sinister expression. His eyes, clear and yellow as those of a tiger, showed depths behind them in which the glance of whoever examined the man might lose itself and never find either warmth or motion. Fixed, luminous, and rigid, those eyes terrified whoever gazed into them. The singular contrast between the immobility of the eyes and the activity of the body increased the chilling impression conveyed by a first sight of Michu. Action, always prompt in this man, was the outcome of a single thought; just as the life of animals is, without reflection, the outcome of instinct. Since 1793 he had trimmed his red beard to the shape of a fan. Even if he had not been (as he was during the Terror) president of a club of Jacobins, this peculiarity of his head would in itself have made him terrible to behold. His Socratic face with its blunt nose was surmounted by a fine forehead, so projecting, however, that it overhung the rest of the features. The ears, well detached from the head, had the sort of mobility which we find in those of wild animals, which are ever on the qui-vive. The mouth, half-open, as the custom usually is among country-people, showed teeth that were strong and white as almonds, but irregular. Gleaming red whiskers framed this face, which was white and yet mottled in spots. The hair, cropped close in front and allowed to grow long at the sides and on the back of the head, brought into relief, by its savage redness, all the strange and fateful peculiarities of this singular face. The neck which was short and thick, seemed to tempt the axe.
At this moment the sunbeams, falling in long lines athwart the group, lighted up the three heads at which the dog from time to time glanced up. The spot on which this scene took place was magnificently fine. The /rond-point/ is at the entrance of the park of Gondreville, one of the finest estates in France, and by far the finest in the departments of the Aube; it boasts of long avenues of elms, a castle built from designs by Mansart, a park of fifteen hundred acres enclosed by a stone wall, nine large farms, a forest, mills, and meadows. This almost regal property belonged before the Revolution to the family of Simeuse. Ximeuse was a feudal estate in Lorraine; the name was pronounced Simeuse, and in course of time it came to be written as pronounced.
The great fortune of the Simeuse family, adherents of the House of Burgundy, dates from the time when the Guises were in conflict with the Valois. Richelieu first, and afterwards Louis XIV. remembered their devotion to the factious house of Lorraine, and rebuffed them. Then the Marquis de Simeuse, an old Burgundian, old Guiser, old leaguer, old /frondeur/ (he inherited the four great rancors of the nobility against royalty), came to live at Cinq-Cygne. The former courtier, rejected at the Louvre, married the widow of the Comte de Cinq-Cygne, younger branch of the famous family of Chargeboeuf, one of the most illustrious names in Champagne, and now as celebrated and opulent as the elder. The marquis, among the richest men of his day, instead of wasting his substance at court, built the chateau of Gondreville, enlarged the estate by the purchase of others, and united the several domains, solely for the purposes of a hunting-ground. He also built the Simeuse mansion at Troyes, not far from that of the Cinq-Cygnes. These two old houses and the bishop's palace were long the only stone mansions at Troyes. The marquis sold Simeuse to the Duc de Lorraine. His son wasted the father's savings and some part of his great fortune under the reign of Louis XV., but he subsequently entered the navy, became a vice-admiral, and redeemed the follies of his youth by brilliant services. The Marquis de Simeuse, son of this
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